On the Role of Literary Works in the Course of Music Literature (Musicology)

In the article, the author summarizes her work experience as a teacher of music literature at the theoretical department of F. Chopin College of Music. A historically continuous interaction between literature and music is doubtless. It can be seen, namely, in T. Mann’s deliberate referring to music regularities when creating a philosophical novel and in A. Deblin’s seeing music as a sort of model for literature. Understanding contacts between literature and music of the same period contributes to enlarging students' field of interests in literature. Referring to the works by the genius authors (A. Pushkin, J.W. Goethe) and to mythology determines new perception of music. In general, music is included in a broad semantic and aesthetic context. Meanwhile, perception of literary works is also enriched thanks to their correlation with the artistic personalities of J.S. Bach and W.A. Mozart. For example, one can notice how the unique personality of Mozart reveals itself in the light of the exclusively semantically concentrated Pushkin’s text. As a result, this direction contributes to achieving the goals of the musicology course at college.