北美大陆中部的雕像丘和岩石艺术:共享的图像,共享的故事

IF 0.7 4区 历史学 0 ARCHAEOLOGY
B. Lepper, R. Boszhardt, J. Duncan, Carol Diaz-Granados
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引用次数: 1

摘要

中西部上游和俄亥俄河谷的雕像丘长期以来一直被视为独特而独立的文化发展。对这两个地区的雕像丘图像的回顾揭示了相似之处,表明它们是共同文化传统的元素。与来自上中西部和密苏里州的岩石艺术图像进行比较,揭示了特定主题的共同出现,并提供了居住在密苏里州下游、密西西比和俄亥俄河谷的晚期林地和早期晚期接触前社会之间文化联系的额外证据。印第安人群体的口头传统与这些地区有记录的联系,使这些丰富的意象语料库被理解为他们创世纪故事的关键章节。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Effigy mounds and rock art of midcontinental North America: Shared iconography, shared stories
The effigy mounds of the Upper Midwest and the Ohio Valley long have been regarded as distinct and independent cultural developments. A review of effigy mound iconography in both regions reveals similarities suggesting that they are elements of a shared cultural tradition. Comparisons with rock art imagery from the Upper Midwest and Missouri, the inferred centers of this artistic and ceremonial florescence, reveal co-occurrences of specific motifs and provide additional evidence of cultural connections among the Late Woodland to early Late Precontact societies inhabiting the lower Missouri, Mississippi, and Ohio river valleys. Oral traditions of Native American groups with documented connections to these regions allow this rich corpus of imagery to be understood as key episodes in their genesis stories.
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来源期刊
CiteScore
0.90
自引率
0.00%
发文量
14
期刊介绍: Published quarterly, this is the only general journal dedicated solely to North America—with total coverage of archaeological activity in the United States, Canada, and Northern Mexico (excluding Mesoamerica). The North American Archaeologist surveys all aspects of prehistoric and historic archaeology within an evolutionary perspective, from Paleo-Indian studies to industrial sites. It accents the results of Resource Management and Contract Archaeology, the newest growth areas in archaeology, often neglected in other publications. The Journal regularly and reliably publishes work based on activities in state, provincial and local archaeological societies.
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