{"title":"学会倾听","authors":"S. Lucie","doi":"10.1162/pajj_a_00630","DOIUrl":null,"url":null,"abstract":"How does a spider experience the world? This is a question I hadn’t really considered before visiting Tomás Saraceno’s Particular Matter(s) exhibition. It meditates on a central question: How can humans learn to experience our environment differently beyond the human perspective? Exploring this idea throughout the vast gallery space, Saraceno’s compiles new and existing work that accompanies the centerpiece of the exhibit: a ninety-five-foot-diameter spherical installation entitled Free the Air: How to Hear the Universe in a Spider/Web.","PeriodicalId":42437,"journal":{"name":"PAJ-A JOURNAL OF PERFORMANCE AND ART","volume":"66 1","pages":"81-85"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Learning to Listen\",\"authors\":\"S. Lucie\",\"doi\":\"10.1162/pajj_a_00630\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How does a spider experience the world? This is a question I hadn’t really considered before visiting Tomás Saraceno’s Particular Matter(s) exhibition. It meditates on a central question: How can humans learn to experience our environment differently beyond the human perspective? Exploring this idea throughout the vast gallery space, Saraceno’s compiles new and existing work that accompanies the centerpiece of the exhibit: a ninety-five-foot-diameter spherical installation entitled Free the Air: How to Hear the Universe in a Spider/Web.\",\"PeriodicalId\":42437,\"journal\":{\"name\":\"PAJ-A JOURNAL OF PERFORMANCE AND ART\",\"volume\":\"66 1\",\"pages\":\"81-85\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PAJ-A JOURNAL OF PERFORMANCE AND ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1162/pajj_a_00630\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PAJ-A JOURNAL OF PERFORMANCE AND ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1162/pajj_a_00630","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
How does a spider experience the world? This is a question I hadn’t really considered before visiting Tomás Saraceno’s Particular Matter(s) exhibition. It meditates on a central question: How can humans learn to experience our environment differently beyond the human perspective? Exploring this idea throughout the vast gallery space, Saraceno’s compiles new and existing work that accompanies the centerpiece of the exhibit: a ninety-five-foot-diameter spherical installation entitled Free the Air: How to Hear the Universe in a Spider/Web.
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