福柯的反

IF 2.1 3区 社会学 Q1 CULTURAL STUDIES
Yoshihiko Ichida
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引用次数: 0

摘要

在福柯和德勒兹-瓜塔里之间,在真理的概念上有着显著的对比。虽然后者在他们的“广义语用学”计划中把它作为一个问题而忽略了,但福柯在其中发现了将英美“言语行为”理论与他的“权力-知识”分析联系起来的关键。这种联系首先在表面上是一本方法论的书《L’archologie du savoir》(1969)和福柯在法兰西学院第一年(1970-1971)的课程《leons sur la volont de savoir》之间的连续性中得到证实,然后最重要的是,在他阅读索福克勒斯的《俄狄普斯王》(Oedipus Rex)时得到证实,这本书在20世纪70年代和80年代被重复了几次。在这里,真理总是被分析为通过讲真话来治理自我和他人的一种基本功能,根据福柯的说法,这种功能是通过他在索福克勒斯的悲剧中发现的“一半的游戏”来实现的,这一游戏借鉴了皮埃尔·奥本克和马塞尔·德蒂安的作品。“正义”和“真实”这两个半部分,福柯在对乔治·杜姆萨齐尔的研究中也发现了这种博弈。因此,福柯和德勒兹-瓜塔里之间的对比是显而易见的,也体现在他们提及dumsamizil的方式上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Foucault’s Anti-Oedipus
Between Foucault and Deleuze-Guattari, there is a striking contrast on the notion of truth. While the latter elides it as a problem in their project of a “generalized pragmatics,” Foucault finds in it the key to link Anglo- American theories of the “speech act” to his analyses of “power-knowledge.” The link is confirmed first in the continuity between L’Archéologie du savoir (1969), ostensibly a methodological book, and of the Leçons sur la volonté de savoir, the course of Foucault’s first year (1970-1971) at the Collège de France, and then above all, in his reading of Sophocles’ Oedipus Rex, which was taken up again several times in the 1970s and 1980s. Truth is always analysed here as an essential function to govern the self and others by telling the truth, and this function is accomplished, according to Foucault, through the ‘game of halves’ that he discovers in Sophocles’ tragedy, drawing on the work of Pierre Aubenque and Marcel Detienne. The two halves being the just and the true, Foucault also discovers the game in the research of George Dumézil. The contrast between Foucault and Deleuze-Guattari is thus evident as well as in their way of referring to Dumézil.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
62
期刊介绍: Individual subscribers and institutions with electronic access can view issues of the South Atlantic Quarterly online. If you have not signed up, review the first-time access instructions. Founded amid controversy in 1901, the South Atlantic Quarterly continues to cover the beat, center and fringe, with bold analyses of the current scene—national, cultural, intellectual—worldwide. Now published exclusively in special issues, this vanguard centenarian journal is tackling embattled states, evaluating postmodernity"s influential writers and intellectuals, and examining a wide range of cultural phenomena.
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