《错误的喜剧》中的孪生与婚姻

IF 0.2 3区文学 Q2 Arts and Humanities

STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2020-07-02 DOI:10.1353/sel.2020.0012

K. Lehnhof

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引用次数: 0

摘要

摘要:本文认为，莎士比亚在《错误喜剧》中通过孪生和婚姻来反思个性和相互关系在身份形成中的重要性。具体来说，这篇文章展示了《错误的喜剧》是如何将双胞胎关系与婚姻关系对立起来的，最终暗示了婚姻——不完美的日常婚姻——与同卵双胞胎之间非凡的纽带有着同样多的主观影响。虽然看到两个人共享“一张脸，一个声音，一个习惯”可能令人惊讶，但《错误的喜剧》表明，双胞胎关系在意义上并没有超过丈夫和妻子成为“一体”的同样奇妙的关系。

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Twinship and Marriage in The Comedy of Errors

Abstract:This article proposes that Shakespeare uses twinship and marriage in The Comedy of Errors to reflect on the importance of individuality and interrelation in the formation of identity. Specifically, this article shows how The Comedy of Errors sets the twin relation against the marital relation, ultimately implying that marriage—imperfect, everyday marriage—has as much subjective impact as the extraordinary bond between identical twins. As amazing as it might be to see two persons sharing "one face, one voice, one habit," The Comedy of Errors suggests that the twin relation does not surpass in significance the equally marvelous relation whereby husband and wife become "one flesh."

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.