怪物和女人:女权主义者对加利西亚黑色小说中基于性别的暴力的回应

IF 0.2 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY
Catherine Barbour
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引用次数: 0

摘要

本文对比了两个例子的视听媒体抵制性别暴力的策略,这两个例子利用或颠覆了新兴的加利西亚黑色流派;由米格尔·康德执导的TVG-Netflix热播剧《O sabor das margaridas》第一季,以及由Eire García Cid执导的以女性为中心的草根女权主义网络剧《Monstras》第一季。这些不同的案例研究混淆了女性受害者和男性侵略的二元性,同时提请注意霸权性政治和社会经济制度,这些制度促进和支持对妇女和女孩的暴力行为。然而,尽管《Monstras》是社会意识、意识形态驱动的艺术对父权暴力的回应的典范,但《O sabor das margaridas》的女权主义属性在很大程度上被商业关注所压倒,比如通过暴力的色情化。虽然加利西亚黑色电影通过突出女性对性别暴力的反抗,在国际流媒体上取得了突破,但这往往受到收视率的操纵。从根本上说,加利西亚文化圈中仍有一些关于妇女权利的最具革命性的对话发生在另类媒体上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Of monsters and women: Feminist response to gender-based violence in Galician noir
This article contrasts strategies of resistance to gender-based violence in two examples of audio-visual media which draw on or subvert the burgeoning genre of Galician noir; Season 1 of the TVG-Netflix hit O sabor das margaridas () directed by Miguel Conde and the women-centred grassroots feminist web series Monstras () directed by Eire García Cid. These divergent case studies muddy the binary of female victimhood and male aggression whilst drawing attention to the hegemonic sexual politics and socio-economic systems which facilitate and endorse violence against women and girls. Yet while Monstras stands as a paradigmatic example of a socially conscious, ideologically driven artistic response to patriarchal violence, the feminist attributes of O sabor das margaridas are largely trumped by commercial concerns, shown for example through the eroticization of violence. Though Galician noir has made a breakthrough on international streaming media by foregrounding women’s resistance to gender-based violence, this tends to be manipulated by the bid for viewer ratings. Fundamentally, it continues to be in alternative media where some of the most revolutionary conversations about women’s rights are taking place in the Galician cultural sphere.
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来源期刊
INTERNATIONAL JOURNAL OF IBERIAN STUDIES
INTERNATIONAL JOURNAL OF IBERIAN STUDIES SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.40
自引率
33.30%
发文量
18
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