{"title":"把Semsar Siahaan艺术视为一种解放的艺术","authors":"Ferri Agustian Sukarno","doi":"10.36806/JSRW.V9I1.76","DOIUrl":null,"url":null,"abstract":"Art is not fully autonomous. Art always has a reciprocal relationship with other social institutions, especially economics and politics. This connection is related to the responsibility of the arts in the face of a classy society, where the ruling class who controls the capital / means of production carry out oppression and exploitation in a structured and systematic manner. This journal is focused on the study of populist art which is echoed again by Semsar Siahaan with the term Art of Liberation after the 1965 national tragedy. Through a descriptive and historical explanatory approach, it is examined how the context of Semsar Siahaan's Liberation Arts and artistic struggles.","PeriodicalId":17523,"journal":{"name":"JSRW (Jurnal Senirupa Warna)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Membaca Seni Semsar Siahaan sebagai Seni Rupa Pembebasan\",\"authors\":\"Ferri Agustian Sukarno\",\"doi\":\"10.36806/JSRW.V9I1.76\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Art is not fully autonomous. Art always has a reciprocal relationship with other social institutions, especially economics and politics. This connection is related to the responsibility of the arts in the face of a classy society, where the ruling class who controls the capital / means of production carry out oppression and exploitation in a structured and systematic manner. This journal is focused on the study of populist art which is echoed again by Semsar Siahaan with the term Art of Liberation after the 1965 national tragedy. Through a descriptive and historical explanatory approach, it is examined how the context of Semsar Siahaan's Liberation Arts and artistic struggles.\",\"PeriodicalId\":17523,\"journal\":{\"name\":\"JSRW (Jurnal Senirupa Warna)\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JSRW (Jurnal Senirupa Warna)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.36806/JSRW.V9I1.76\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JSRW (Jurnal Senirupa Warna)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.36806/JSRW.V9I1.76","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Membaca Seni Semsar Siahaan sebagai Seni Rupa Pembebasan
Art is not fully autonomous. Art always has a reciprocal relationship with other social institutions, especially economics and politics. This connection is related to the responsibility of the arts in the face of a classy society, where the ruling class who controls the capital / means of production carry out oppression and exploitation in a structured and systematic manner. This journal is focused on the study of populist art which is echoed again by Semsar Siahaan with the term Art of Liberation after the 1965 national tragedy. Through a descriptive and historical explanatory approach, it is examined how the context of Semsar Siahaan's Liberation Arts and artistic struggles.
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