谢尔盖·佳吉列夫在西班牙:新主题、新形象、新芭蕾舞

I. A. Kryazheva
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引用次数: 0

摘要

西班牙是谢尔盖·佳吉列夫(Sergei Diaghilev)的俄罗斯芭蕾舞团巡演的主要目的地。从20世纪10年代中期到20世纪20年代中期,多次访问这个国家,丰富了佳吉列夫的艺术视野,带来了新的主题和形象,从而产生了芭蕾舞剧:《宫女》,《三角帽》,《弗拉门戈舞》。每一部芭蕾舞剧的创作和演出史都有自己的特点;在每一个案例中,一个独特的艺术世界被构想出来,用现代语言表达,并以其众多的方面和复杂的象征主义来区分。为了实现他的新想法,Diaghilev呼吁他那个时代的主要艺术家,即Pablo Picasso, Josep Maria Sert, Leonid Myasin, Manuel de Falla,由于他们的参与,每件作品的整体概念都出现了,基于音乐,塑料和装饰思想的统一。“西班牙”芭蕾是在从自然主义戏剧向传统戏剧方法的过渡时期创作的,自然主义戏剧以连贯的情节逻辑和人物的心理表现为主导。艺术形象的性质和作用发生了变化,具有广泛的象征特征。风格化和约定俗成成为确立一种新的戏剧模式的主要手法。西班牙世界的新形象形成了,打破了与浪漫时代遗产的联系,诉诸于文化原型。佳吉列夫芭蕾的思想有机地融入了现代主义实验的主流。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sergei Diaghilev in Spain: New Themes, Images, Ballets
Spain was a prominent destination on tours of Sergei Diaghilev's Ballets Russes. Numerous visits to this country, spanning the period from the mid-1910s to the mid-1920s, enriched Diaghilev's artistic horizons with new themes and images that resulted in the ballets: «Las Meninas», «The three-cornered hat», «Cuadro Flamenco». The history of the creation and staging of each ballet possesses its own characteristics; in each case, a unique artistic world is conceived, expressed in a modern language, and distinguished by its many facets and complex symbolism. In order to implement his new ideas, Diaghilev appealed to the leading artists of his time, namely Pablo Picasso, Josep Maria Sert, Leonid Myasin, Manuel de Falla, thanks to whose participation a holistic concept of each work arose, based on the unity of musical, plastic, and decorative ideas. The «Spanish» ballets were created during the transition period from naturalistic theatre, dominated by a coherent plot logic and a psychological representation of the characters, to conventional theatrical methods. The character and role of the artistic image change, acquiring widespread symbolic features. Stylization and conventionality become the main techniques when it comes to erecting a new theatrical model. A new image of the Spanish world is formed, breaking ties with the heritage of the romantic era and resorting to cultural archetypes. The ideas of Diaghilev's ballet fit organically into the mainstream of modernist experiments.
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