弗朗斯·范·米耶里斯的绘画技巧是威廉·伯尔斯《绘画论》的可能来源之一

IF 0.1 4区艺术学 0 ART

CERAMICS-ART AND PERCEPTION Pub Date : 2020-06-04 DOI:10.6084/M9.FIGSHARE.12295721.V1

C. Pottasch

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引用次数: 4

摘要

17世纪的艺术家弗朗斯·范·米耶里斯(Frans van Mieris)擅长用绸缎、天鹅绒、毛皮和金属等不同材料进行逼真的渲染。他的作品很可能是略年轻一点的威廉·伯尔斯(Willem Beurs) 1692年绘画专著的面料和其他材料的来源。本文将展示范密里斯的观察在描绘这些材料时是多么敏锐，以及反射在我们对它们的现实主义的感知中所起的作用。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Frans van Mieris’s Painting Technique as One of the Possible Sources for Willem Beurs’s Treatise on Painting

The seventeenth-century artist Frans van Mieris was masterful in the realistic rendering of different materials, like satin, velvet, fur and metal. His work could well have been a source for fabrics and other materials for the slightly younger Willem Beurs’s 1692 treatise on painting. This paper will show how acute Van Mieris observations were in depicting these materials, and the role that reflections play in our perception of their realism.

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