巴黎圣母院的杂耍者与现代性的中世纪化。卷2:中世纪遇见中世纪主义

IF 1 3区 社会学 Q2 LAW
J. Ziolkowski
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引用次数: 1

摘要

这个雄心勃勃和生动的研究在六卷探索一个单一的旅程,令人振奋的故事,从它的第一个化身在中世纪的法国诗歌,通过其多产的重生在十九和二十世纪。《巴黎圣母院的杂耍者》讲述了一名艺人如何抛弃世俗加入修道院,但在地下室的圣母像前跳舞后被怀疑亵渎神明;当雕像被他的技艺所鼓舞,奇迹般地活过来时,他得救了。扬·齐奥尔科夫斯基追溯了这首诗的起源,从中世纪到19世纪末在巴黎被重新发现,然后在英国和美国被翻译成英语。这个故事对哥特复兴主义的视觉影响,以及在美国哥特复兴主义对哥特复兴主义的视觉影响,都用丰富而富有创意的插图仔细地记录了下来。齐奥尔科夫斯基最后考察了20世纪人们对《巴黎圣母院的杂工》的兴趣激增,以及它在当今大众文化中的地位。卷2:中世纪遇到中世纪的影响处理的故事在十九世纪和二十世纪早期的欧洲和美国,和文学中世纪的发展在这个时候。齐奥尔科夫斯基的作品呈现得非常清晰和简单,对普通读者来说很容易理解,同时它的许多新发现对中世纪研究、中世纪主义、文献学、文学史、艺术史、民俗学、表演研究和接受研究等领域和学科的学者来说也很有价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Juggler of Notre Dame and the Medievalizing of Modernity. Volume 2: Medieval Meets Medievalism
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the twentieth century explosion of interest in The Juggler of Notre Dame and its place in mass culture today. Volume 2: Medieval Meets Medievalism deals with the influence of the tale in nineteenth- and early-twentieth-century Europe and America, and the development of literary medievalism at this time. Presented with great clarity and simplicity, Ziolkowski’s work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
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来源期刊
CiteScore
1.20
自引率
11.10%
发文量
0
期刊介绍: In 1925, a group of eager and idealistic students founded the Notre Dame Lawyer. Its name was changed in 1982 to the Notre Dame Law Review, but all generations have remained committed to the original founders’ vision of a law review “synonymous with respect for law, and jealous of any unjust attacks upon it.” Today, the Law Review maintains its tradition of excellence, and its membership includes some of the most able and distinguished judges, professors, and practitioners in the country. Entirely student edited, the Law Review offers its members an invaluable occasion for training in precise analysis of legal problems and in clear and cogent presentation of legal issues.
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