{"title":"音乐转录的移位非负矩阵反褶积","authors":"Holger Kirchhoff, S. Dixon, Anssi Klapuri","doi":"10.1109/ICASSP.2012.6287833","DOIUrl":null,"url":null,"abstract":"In this paper, we address the task of semi-automatic music transcription in which the user provides prior information about the polyphonic mixture under analysis. We propose a non-negative matrix deconvolution framework for this task that allows instruments to be represented by a different basis function for each fundamental frequency (“shift variance”). Two different types of user input are studied: information about the types of instruments, which enables the use of basis functions from an instrument database, and a manual transcription of a number of notes which enables the template estimation from the data under analysis itself. Experiments are performed on a data set of mixtures of acoustical instruments up to a polyphony of five. The results confirm a significant loss in accuracy when database templates are used and show the superiority of the Kullback-Leibler divergence over the least squares error cost function.","PeriodicalId":6443,"journal":{"name":"2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2012-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"23","resultStr":"{\"title\":\"Shift-variant non-negative matrix deconvolution for music transcription\",\"authors\":\"Holger Kirchhoff, S. Dixon, Anssi Klapuri\",\"doi\":\"10.1109/ICASSP.2012.6287833\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this paper, we address the task of semi-automatic music transcription in which the user provides prior information about the polyphonic mixture under analysis. We propose a non-negative matrix deconvolution framework for this task that allows instruments to be represented by a different basis function for each fundamental frequency (“shift variance”). Two different types of user input are studied: information about the types of instruments, which enables the use of basis functions from an instrument database, and a manual transcription of a number of notes which enables the template estimation from the data under analysis itself. Experiments are performed on a data set of mixtures of acoustical instruments up to a polyphony of five. The results confirm a significant loss in accuracy when database templates are used and show the superiority of the Kullback-Leibler divergence over the least squares error cost function.\",\"PeriodicalId\":6443,\"journal\":{\"name\":\"2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-03-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"23\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1109/ICASSP.2012.6287833\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ICASSP.2012.6287833","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Shift-variant non-negative matrix deconvolution for music transcription
In this paper, we address the task of semi-automatic music transcription in which the user provides prior information about the polyphonic mixture under analysis. We propose a non-negative matrix deconvolution framework for this task that allows instruments to be represented by a different basis function for each fundamental frequency (“shift variance”). Two different types of user input are studied: information about the types of instruments, which enables the use of basis functions from an instrument database, and a manual transcription of a number of notes which enables the template estimation from the data under analysis itself. Experiments are performed on a data set of mixtures of acoustical instruments up to a polyphony of five. The results confirm a significant loss in accuracy when database templates are used and show the superiority of the Kullback-Leibler divergence over the least squares error cost function.