{"title":"保存、保存和记忆:19世纪50年代和60年代哥伦比亚内战期间，曼努埃尔·多罗泰奥·卡瓦哈尔(Manuel Doroteo Carvajal)的错视画签名画作为修辞视觉策略的元素","authors":"Verónica Uribe Hanabergh","doi":"10.1086/714715","DOIUrl":null,"url":null,"abstract":"Manuel Doroteo Carvajal (1819–72) was a mid-nineteenth-century Colombian painter, and author of two sketchbooks currently archived at the Museo Nacional de Colombia that contain more than one hundred drawings including portraits, genre scenes, landscapes, illustrations for children’s fables, flowers, and fruits. The first journal is dated July 1848 and ends at the beginning of the 1870s. Among his approaches to the visual, Carvajal included several trompe l’oeil drawings in both albums.","PeriodicalId":43235,"journal":{"name":"SOURCE-NOTES IN THE HISTORY OF ART","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Keeping, Saving, and Remembering: Manuel Doroteo Carvajal’s Trompe l’Oeil Autograph Drawings as Elements of Rhetorical Visual Strategy during the Colombian Civil Wars of the 1850s and 1860s\",\"authors\":\"Verónica Uribe Hanabergh\",\"doi\":\"10.1086/714715\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Manuel Doroteo Carvajal (1819–72) was a mid-nineteenth-century Colombian painter, and author of two sketchbooks currently archived at the Museo Nacional de Colombia that contain more than one hundred drawings including portraits, genre scenes, landscapes, illustrations for children’s fables, flowers, and fruits. The first journal is dated July 1848 and ends at the beginning of the 1870s. Among his approaches to the visual, Carvajal included several trompe l’oeil drawings in both albums.\",\"PeriodicalId\":43235,\"journal\":{\"name\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SOURCE-NOTES IN THE HISTORY OF ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/714715\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SOURCE-NOTES IN THE HISTORY OF ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/714715","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
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摘要
Manuel Doroteo Carvajal(1819-72)是19世纪中期的哥伦比亚画家，也是两本速写本的作者，目前保存在哥伦比亚国家博物馆，其中包含一百多幅绘画，包括肖像画，风俗画，风景画，儿童寓言插图，鲜花和水果。第一本日记的日期是1848年7月，结束于19世纪70年代初。在他的视觉方法中，卡瓦哈尔在两张专辑中都包括了几幅错视画。
Keeping, Saving, and Remembering: Manuel Doroteo Carvajal’s Trompe l’Oeil Autograph Drawings as Elements of Rhetorical Visual Strategy during the Colombian Civil Wars of the 1850s and 1860s
Manuel Doroteo Carvajal (1819–72) was a mid-nineteenth-century Colombian painter, and author of two sketchbooks currently archived at the Museo Nacional de Colombia that contain more than one hundred drawings including portraits, genre scenes, landscapes, illustrations for children’s fables, flowers, and fruits. The first journal is dated July 1848 and ends at the beginning of the 1870s. Among his approaches to the visual, Carvajal included several trompe l’oeil drawings in both albums.
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