{"title":"电影音乐哲学中的三个问题","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0017","DOIUrl":null,"url":null,"abstract":"This chapter examines three issues. First, the question of the nature of movie music. Second the issue of whether there is an implicit musical organizer with respect to the non-diegetic music track. And third, Peter Kivy’s hypothesis that the music track “fills-out” the otherwise “ghostly” visual track.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"33 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Three Problems in the Philosophy of Movie Music\",\"authors\":\"Noël Carroll\",\"doi\":\"10.1093/oso/9780190683306.003.0017\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines three issues. First, the question of the nature of movie music. Second the issue of whether there is an implicit musical organizer with respect to the non-diegetic music track. And third, Peter Kivy’s hypothesis that the music track “fills-out” the otherwise “ghostly” visual track.\",\"PeriodicalId\":43260,\"journal\":{\"name\":\"Cinema-Journal of Philosophy and the Moving Image\",\"volume\":\"33 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-08-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinema-Journal of Philosophy and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190683306.003.0017\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190683306.003.0017","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
This chapter examines three issues. First, the question of the nature of movie music. Second the issue of whether there is an implicit musical organizer with respect to the non-diegetic music track. And third, Peter Kivy’s hypothesis that the music track “fills-out” the otherwise “ghostly” visual track.