威廉·布莱克,乔治·罗姆尼和乔治·罗姆尼的一生,先生。

Q3 Arts and Humanities
Morton D. Paley
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引用次数: 0

摘要

1803年9月,威廉和凯瑟琳·布莱克夫妇在苏塞克斯郡的海滨村庄费尔法姆度过了三年之后,回到了伦敦。在接下来的两年里,威廉最重要也是最耗时的工作之一是协助威廉·海利为海利的《乔治·罗姆尼的生活》雕刻插图。布莱克有两个这样的委托,并希望更多。这些活动不仅仅是布莱克的任务,他赞扬了“我们钦佩的崇高的罗姆尼”的天赋,并认为,不公平的是,罗姆尼的才华已经从历史转移到肖像画上,由海利,在给他的兄弟詹姆斯的一封坦率的信中声称,海利“想把我变成一个肖像画家,因为他做了可怜的罗姆尼”(1803年1月30日,E 725)。在布莱克给海莉写的那封非同寻常的信中,他说:“在参观了Truchsessian画廊的第二天,”他说:“我可以自信地向你保证,我现在以罗姆尼的名字雕刻的版画上,我可以亲眼看到我改变了的状态,他的精神援助对我恢复艺术之光有很大的帮助。”
本文章由计算机程序翻译,如有差异,请以英文原文为准。
William Blake, George Romney, and The Life of George Romney, Esq.
William and Catherine Blake returned to London in September 1803, after spending three years in the seaside village of Felpham in Sussex. During the two years that followed, one of William’s most important and time-consuming occupations was assisting William Hayley with the illustrations to be engraved for Hayley’s Life of George Romney. Blake had commissions for two of these and hoped for more. These activities were no mere task for Blake, who praised the gifts of “our admired Sublime Romney” and thought, unfairly, that Romney’s talent had been diverted from history to portrait painting by Hayley, asserting in a frank letter to his brother James that Hayley “thinks to turn me into a Portrait Painter as he did Poor Romney” (30 January 1803, E 725). In the extraordinary letter that Blake wrote to Hayley about his renewal of vision “on the day after visiting the Truchsessian Gallery of pictures,” he stated: “I can, with confidence, promise you ocular demonstration of my altered state on the plates I am now engraving after Romney, whose spiritual aid has not a little conduced to my restoration to the light of Art.”
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来源期刊
Blake - An Illustrated Quarterly
Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
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0
期刊介绍: Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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