处理文学遗产:组织约瑟夫·蒙迪遗产时遇到的方法论问题——以个案研究为例

Q2 Arts and Humanities
Moran Peri, Z. Caspi
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引用次数: 0

摘要

摘要:在涉及研究问题的人文文献中,很少关注方法论问题。本文试图通过一个案例研究来填补这一空白:我们在2016年接手的约瑟夫·芒迪庄园(Josef Mundi)工作中出现的问题。我们必须做出许多决定,其中包括时间顺序、时间变化、文本和传记问题。这些戏剧必须按照时间顺序进行日期和排列,必须确定同一部戏剧的不同版本中的原始文本,并且必须追踪Mundi在动作,流派和主题方面的艺术发展。我们遇到的一些问题,以及我们找到的解决办法,在这里用三个不同时期的戏剧来说明:1977年的《剃刀》(the Razor)、1982年的《弥赛亚:沙巴泰兹维的兴衰》(the Messiah: the Rise and Fall of Shabbetai Zvi)和从未出版或上演过的《窥视秀》(Peep Show)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dealing with a Literary Estate: Methodological Issues Encountered in Organizing Josef Mundi's Estate as a Case Study
Abstract:In the humanities literature concerning research questions, little attention is paid to methodological issues. This paper seeks to help fill that gap by presenting a case study: the problems that arose when working on the estate of Josef Mundi, which we received in 2016. We had to make numerous decisions regarding, among other things, chronological, chronotropic, textual, and biographical issues. The plays had to be dated and arranged in chronological order, the parent text among the various versions of the same play had to be determined, and Mundi's artistic development in terms of movements, genres, and themes had to be traced.Some of the problems we encountered, and the solutions we found, are illustrated here by three plays from different periods: "The Razor" from 1977, "The Messiah: The Rise and Fall of Shabbetai Zvi" (1982), and "Peep Show," which was never published or staged.
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来源期刊
Hebrew Studies
Hebrew Studies Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
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