“打开门，我自己去拿”:1969-1974年城市外景拍摄的少数制片辅助项目与政治

IF 0.5 2区艺术学 0 FILM, RADIO, TELEVISION

JCMS-Journal of Cinema and Media Studies Pub Date : 2023-03-01 DOI:10.1353/cj.2023.0026

Noelle Griffis

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引用次数: 0

摘要

摘要:本文追溯了社区电影工作室委员会的少数族裔学徒计划的发展历程，以及该计划为打破数十年来故事片制作中排他的雇佣惯例所做的尝试。这个项目正好赶上了纽约外景故事片制作的兴起，以及相应的整合城市电影摄制组的需求。通过对该项目的档案研究，以及学徒们在电影中扮演的重要角色，包括《房东》(哈尔·阿什比，1970)和《棉花来到哈莱姆》(奥西·戴维斯，1970)，我展示了媒体行动主义、政策和劳资关系是如何挑战和维持工业权力结构的基础。

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"Open the Door and I'll Get It for Myself": Minority Production Assistant Programs and the Politics of the Urban Location Shoot, 1969–1974

ABSTRACT:This article traces the development of the Community Film Workshop Council's minority apprentice program and its attempt to break through decades of exclusionary hiring practices in feature film production. The program coincided with the rise of feature filmmaking on location in New York City and the corresponding need to integrate the city's film crews. Through an archival study of the program and the essential roles that the apprentices played on films, including The Landlord (Hal Ashby, 1970) and Cotton Comes to Harlem (Ossie Davis, 1970), I demonstrate how media activism, policy, and labor relations are fundamental to both challenging and maintaining industrial power structures.

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来源期刊

JCMS-Journal of Cinema and Media Studies FILM, RADIO, TELEVISION-

CiteScore

1.20

自引率

0.00%

发文量