约泽夫·苏伊斯基作品中的过去与现在的权力形象

Larisa M. Arzhakova
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引用次数: 0

摘要

这本书的重点是试图通过波兰历史学家、作家、宣传家、社会和政治人物Józef Szujski(1835-1883)的个人作品来识别权力的形象,他是克拉科夫历史学派的领袖,也是Stańczycy的一员,Stańczycy是19世纪下半叶在加利西亚形成的一个忠诚的政治团体。Szujski的多体裁创作遗产代表了丰富的材料,可以决定在复杂的多体裁样本(历史作品、戏剧作品、新闻作品,甚至讽刺作品)中谈论权力形象是否普遍有效。在陈述主题的背景下出现的其他问题包括,“图像的意义和情感饱和度如何取决于类型?和“我们是否可以说,使用图像这一范畴保证了作者创造的对过去和现在的更充分的描绘?”进行的研究使我们相信,作为一种规则,我们的作者在创造这个或那个角色和这个或那个画面时保持一致,无论我们谈论的是历史作品、戏剧还是讽刺作品。在苏伊斯基丰富的创作遗产中,一个跨领域的主题是对国家过去的认知问题,以及这种过去对现在的影响,实际上是过去在现在的存在。即使考虑到苏伊斯基作品中所揭示的权力形象的约定俗成和随意性,我们也应该认识到这一主题的发展是有潜力的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Image of Power in the Past and Present in the Writings of Jozef Szujski
The focus of this work is an attempt to identify images of power with the help of individual works by the Polish historian, writer, publicist, and social and political figure Józef Szujski (1835–1883), leader of the Krakow Historical School and one of the Stańczycy, a loyalist political grouping that formed in Galicia in the second half of the nineteenth century. The multi-genre creative heritage of Szujski represents fertile material in terms of determining whether it is generally valid to speak about images of power in relation to complex, multi-genre samples: historical works, dramaturgical works, journalism, and even satire. Among other questions which arise in the context of the stated theme are, “How meaningful and emotionally saturated is the image depending on the genre?” and “Can we say that the use of the category of the image guarantees a more adequate picture of the past and present created by the author?”. The conducted study convinces us that, as a rule, our author remains consistent in creating this or that character and this or that picture, whether we are talking about a historical work, a drama, or a satirical opus. In Szujski’s rich creative legacy, a cross-cutting theme is the problem of the perception of the national past and the impact of this past on the present, effectively the presence of the past in the present. Even taking into account the conventionality and arbitrariness of the images of power revealed in Szujski’s works, it should be recognised that the development of this theme has potential.
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