语言视觉革命:奥古斯托·德·坎波斯的反文学、情感、政治和世界文学

4区社会学 Q2 Arts and Humanities

CR-THE NEW CENTENNIAL REVIEW Pub Date : 2020-06-20 DOI:10.14321/crnewcentrevi.20.1.0147

Adam Joseph Shellhorse

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引用次数: 1

摘要

一种根深蒂固的不确定性:他的诗到底是真正的诗，还是构成了一种独特的反诗?此外，他的项目是否最终阐明了情感、感知和语言的新模式，以对抗巴西的反民主和卡洛·加利在全球电子繁荣时期所说的“技术的全球统治”(2010,112)?简而言之，我们是否可以重新理解坎波斯在他的原型中展现当代的精明驱动，作为一种扰乱南北世界文学范式并为全球话语做出贡献的手段?在2016年的大型回顾展上，坎波斯强调了他的努力的基本方面:

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The Verbivocovisual Revolution: Anti-Literature, Affect, Politics, and World Literature in Augusto de Campos

AU G U S T O D E CA M P O S’S C R I T I C A L F O R T U N E H A S B E E N B U R D E N E D B Y A deep-seated uncertainty: is his poetry really poetry or does it constitute a sui generis antipoetry? Moreover, does his project ultimately articulate novel modalities of affect, perception, and language that contest Brazilian antidemocracy and what Carlo Galli has called “technology’s planetary domination” during the global electronic boom (2010, 112)? In short, can we reconceive Campos’s canny drive to stage the contemporary in his prototypes as a means to unsettle North/South world literature paradigms and contribute to global discourse? At a mega retrospective in 2016, Campos underscored fundamental aspects of his endeavor:

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来源期刊

CR-THE NEW CENTENNIAL REVIEW HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： The New Centennial Review is devoted to comparative studies of the Americas that suggest possibilities for a different future. Centennial Review is published three times a year under the editorship of Scott Michaelsen (Department of English, Michigan State University) and David E. Johnson (Department of Comparative Literature, SUNY at Buffalo). The journal recognizes that the language of the Americas is translation, and that questions of translation, dialogue, and border crossings (linguistic, cultural, national, and the like) are necessary for rethinking the foundations and limits of the Americas.