以木炭为中心,以灰烬为中心:老虎与公牛为主题

Romy Setiawan, Dyanningrum Pradhikta
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引用次数: 0

摘要

爪哇许多寺庙中雕刻的动物故事浮雕都来源于《坦陀罗故事集》,其起源是《Kamandaka坦陀罗故事集》。其中一个是老虎和公牛的故事。不仅仅是羊会互相争斗,在密宗故事中,老虎和公牛也是相互争斗的受害者。除了这个故事很熟悉,道德信息是普遍适用的。图案开发在产品上的实现之所以重要,是因为它是一种设计的创新和应用,是一种具有审美和艺术价值的设计。通过老虎和半藤的蜡染图案,这是艺术家的一种贡献,给人希望,作为一个人保持原则,自信和明智的立场。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Menang Jadi Arang, Kalah Jadi Abu: Motif Batik Tantri Harimau dan Banteng
The reliefs of animal stories carved in a number of temples in Java are derived from the collection of Tantri Stories, the origin of which is the Kamandaka Tantri story. One of them is the story of the tiger and the bull. It's not just sheep that can be pitted against each other, in the tantri story, the tiger and the bull are victims of a fight against each other. Besides the story is quite familiar, the moral message is universally applicable. The importance of the realization of the development of motifs on the product because it is an innovation and the application of design which is a design that has aesthetic and artistic value. Through the Tiger and Banteng batik motifs, this is one form of the artist's contribution to give hope as a person to maintain principles, be confident and wise in taking a stance.
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