{"title":"制作封闭和解构的艺术","authors":"Elsa Loftis, Danny R. Kelley","doi":"10.1086/709795","DOIUrl":null,"url":null,"abstract":"After the disheartening news of a full closure of the Oregon College of Art and Craft in 2019, the librarian and partners had the unpleasant task of dismantling and distributing the library’s unique collection. This article outlines that process in the context of other library closures and offers ideas for best practices and project management procedures for other libraries to consider if facing such a situation. The article is also a tribute to the unique collection and space that needed to be disassembled and how the collection lives on to make contributions at other institutions.","PeriodicalId":43009,"journal":{"name":"Art Documentation","volume":"44 1","pages":"77 - 92"},"PeriodicalIF":0.2000,"publicationDate":"2020-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Crafting a Closure and the Art of Deconstruction\",\"authors\":\"Elsa Loftis, Danny R. Kelley\",\"doi\":\"10.1086/709795\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"After the disheartening news of a full closure of the Oregon College of Art and Craft in 2019, the librarian and partners had the unpleasant task of dismantling and distributing the library’s unique collection. This article outlines that process in the context of other library closures and offers ideas for best practices and project management procedures for other libraries to consider if facing such a situation. The article is also a tribute to the unique collection and space that needed to be disassembled and how the collection lives on to make contributions at other institutions.\",\"PeriodicalId\":43009,\"journal\":{\"name\":\"Art Documentation\",\"volume\":\"44 1\",\"pages\":\"77 - 92\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art Documentation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/709795\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art Documentation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/709795","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 1
摘要
在2019年俄勒冈艺术与工艺学院(Oregon College of Art and Craft)全面关闭的令人沮丧的消息传出后，图书管理员和合作伙伴面临着拆除和分发图书馆独特藏品的艰巨任务。本文在其他图书馆关闭的背景下概述了这一过程，并提供了最佳实践和项目管理程序的想法，供其他图书馆在面临此类情况时考虑。这篇文章也是对需要拆解的独特收藏和空间的致敬，以及这些收藏如何继续在其他机构做出贡献。
After the disheartening news of a full closure of the Oregon College of Art and Craft in 2019, the librarian and partners had the unpleasant task of dismantling and distributing the library’s unique collection. This article outlines that process in the context of other library closures and offers ideas for best practices and project management procedures for other libraries to consider if facing such a situation. The article is also a tribute to the unique collection and space that needed to be disassembled and how the collection lives on to make contributions at other institutions.
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