IF 0.3 0 ART
Oktay Özgül, Burak Bi̇ngöl
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引用次数: 3

摘要

东安纳托利亚地区是一个高原,岩石上的绘画非常丰富。阿尔达汉、卡尔斯、埃尔祖鲁姆、埃尔津坎和范哈卡里山区的岩画构成了这一财富的很大一部分。在该地区的安山岩和玄武岩上绘制的岩画中,一般采用线条、雕刻、雕刻和啄食的技术。在岩画领域遇到的主题是人(萨满),马,公牛-牛-牛,鹿,狼,狗和绵羊-公羊-山羊。此外,狩猎和战争场景,仪式和几何场景,以及天体形状都是涵盖的主题。在东北安纳托利亚地区确定了16个岩画区。该研究调查了9个中心;Cildir Baskoy、Borluk山谷/Azat村、Camuslu、Digor/Dolayli、Geyiklitepe、Kurbanaga、Dilli山谷、Cunni洞穴和Şenkaya Kaynak村都是岩画。这些画中有368多幅人物,其中119幅是山羊。本研究考察了相关岩画区山羊母题的形态,并分析了其在狩猎仪式和可能的宇宙世界中的象征意义和地位。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Kuzeydoğu Anadolu Petrogliflerindeki Bir Grup Dağ Keçisi Motifi
The Eastern Anatolia region, a high plateau, is exceptionally rich in paintings on rocks. Rock paintings in Ardahan, Kars, Erzurum, Erzincan, and Van-Hakkari mountainous region constitute a large part of this wealth. The technique of line, engraving, carving, and pecking was generally used in rock paintings drawn on andesitic and basalt stones in the region. The motifs encountered in rock painting areas are human (shaman), horse, bull - ox - cow, deer, wolf, dog, and sheep - ram - mountain goat. Furthermore, scenes of hunting and war, ceremonial and geometric scenes, and celestial shapes are among the covered themes. Sixteen rock painting areas were identified in the Northeast Anatolian region. Nine centers were examined in the study; Cildir Baskoy, Borluk Valley/Azat village, Camuslu, Digor/Dolayli, Geyiklitepe, Kurbanaga, Dilli Valley, Cunni Cave, and Şenkaya Kaynak village are rock paintings. There are more than 368 figures in these paintings, of which 119 are mountain goat figures. In the study, the morphology of the mountain goat motif in the related rock painting areas was examined, and its symbolic meaning and place in the hunting ritual and the possible cosmic world were analyzed.
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来源期刊
Art-Sanat
Art-Sanat ART-
CiteScore
0.30
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