Haugerudbekken:通过社会参与艺术改善社区

K. Høst, L. Mork
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引用次数: 0

摘要

Haugerudbekken是一系列艺术项目的统称,两位当地艺术家(本文作者)与Haugerud当地学校的学生合作,在附近创建公共艺术装置。Haugerudbekken可以被认为是在社会参与艺术(SEA),教学艺术家(TA)和社区艺术家(CA)领域的原则指导下的实践探索。该项目是在奥斯陆郊区Haugerud和Trosterud的政府管理的地方改善倡议的更广泛背景下进行的。对艺术进入社会背景(如城市发展)的需求日益增长,这要求我们采取强调对话、交流和地方关系的方法。随着这种需求的增长,对艺术家的最佳实践指导以及政策制定者和其他邀请艺术家做出贡献的人的需求也在增加。此外,我们作为在社区环境中工作的独立艺术家的方法也可能受益于这一领域的理论和框架的澄清。因此,本文旨在分享我们在开发《Haugerudbekken》的三年中所收集到的知识,并指出我们所认为的关键成功因素以及项目中的挑战。研究结果讨论了现有的理论和相关实践在SEA, TA和CA通知现有的指导方针和术语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Haugerudbekken: Community Improvement through Socially Engaged Art
Haugerudbekken is the collective title of a series of art projects where two local artists (the authors of this article) collaborate with pupils from local schools in Haugerud to create public art installations in the neighbourhood. Haugerudbekken may be considered a practical exploration guided by principles in the fields of socially engaged art (SEA), teaching artists (TA) and community artists (CA). The project is being undertaken within the broader context of a government run local improvement initiative in the Oslo suburbs of Haugerud and Trosterud. A growing demand for art entering a societal context (like urban development) calls for approaches emphasizing dialogue, communication and local affiliation. As this demand grows, so does the need for best-practice guidance for initiating artists as well as for policymakers and others inviting artists to contribute. Furthermore, our approach as independent artists working within a community setting might also benefit from clarification of theory and framework in this field. This article therefore aims to share knowledge gathered through our three years (and still ongoing) working on Haugerudbekken, pinpointing what we believe to be key success factors as well as challenges in our project. Findings are discussed in relation to existing theory and relevant practice in SEA, TA and CA informing existing guidelines as well as terminology.
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