{"title":"Muriel Rukeyser的《亡灵书》和Maxo Vanka的壁画中作为社会活动家的母亲","authors":"Aaron J. Rovan","doi":"10.1353/mos.2021.0003","DOIUrl":null,"url":null,"abstract":"Abstract:This essay examines the connections between Rukeyser's poem sequence and Vanka's murals, arguing that these works from the 1930s subvert the New Deal call for women to espouse traditional domestic duties. Rather, they envision a public space where women, particularly mothers, take an active role in advocating for social justice.","PeriodicalId":44769,"journal":{"name":"Mosaic-An Interdisciplinary Critical Journal","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Mother as Social Activist in Muriel Rukeyser's \\\"The Book of the Dead\\\" and Maxo Vanka's Murals\",\"authors\":\"Aaron J. Rovan\",\"doi\":\"10.1353/mos.2021.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay examines the connections between Rukeyser's poem sequence and Vanka's murals, arguing that these works from the 1930s subvert the New Deal call for women to espouse traditional domestic duties. Rather, they envision a public space where women, particularly mothers, take an active role in advocating for social justice.\",\"PeriodicalId\":44769,\"journal\":{\"name\":\"Mosaic-An Interdisciplinary Critical Journal\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Mosaic-An Interdisciplinary Critical Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mos.2021.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Mosaic-An Interdisciplinary Critical Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mos.2021.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
The Mother as Social Activist in Muriel Rukeyser's "The Book of the Dead" and Maxo Vanka's Murals
Abstract:This essay examines the connections between Rukeyser's poem sequence and Vanka's murals, arguing that these works from the 1930s subvert the New Deal call for women to espouse traditional domestic duties. Rather, they envision a public space where women, particularly mothers, take an active role in advocating for social justice.
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