{"title":"玛丽娜市长的亲密宇宙:bretema","authors":"Anna Corts Curto","doi":"10.17345/triangle11.15-32","DOIUrl":null,"url":null,"abstract":"Painting scenarios where to place characters with their stories is one of the most complex tasks in characterizing the space of a literary work. Most authors change space each time they start a new novel. In the case of Marina Mayoral, we found a room of her own, a closed universe that has its well-defined contours. In Mayoral, the central space of each work is directly related to a term: Brétema. In this paper, we will try to draw contours in an amazing world that takes its name in La única libertad (Mayoral 1982) and that links all her works.","PeriodicalId":76763,"journal":{"name":"Triangle; the Sandoz journal of medical science","volume":"7 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-05-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El universo íntimo de Marina Mayoral: Brétema\",\"authors\":\"Anna Corts Curto\",\"doi\":\"10.17345/triangle11.15-32\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Painting scenarios where to place characters with their stories is one of the most complex tasks in characterizing the space of a literary work. Most authors change space each time they start a new novel. In the case of Marina Mayoral, we found a room of her own, a closed universe that has its well-defined contours. In Mayoral, the central space of each work is directly related to a term: Brétema. In this paper, we will try to draw contours in an amazing world that takes its name in La única libertad (Mayoral 1982) and that links all her works.\",\"PeriodicalId\":76763,\"journal\":{\"name\":\"Triangle; the Sandoz journal of medical science\",\"volume\":\"7 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-05-21\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Triangle; the Sandoz journal of medical science\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.17345/triangle11.15-32\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Triangle; the Sandoz journal of medical science","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17345/triangle11.15-32","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
在描绘文学作品空间的过程中，最复杂的任务之一是描绘人物和故事的场景。大多数作家每次开始写新小说时都会改变空间。在玛丽娜·马约拉尔的案例中，我们找到了她自己的房间，一个有着明确轮廓的封闭宇宙。在马约拉尔，每件作品的中心空间都与一个术语直接相关:br忧郁。在本文中，我们将尝试在一个以La única libertad (Mayoral 1982)命名的神奇世界中绘制轮廓，并将她的所有作品联系起来。
Painting scenarios where to place characters with their stories is one of the most complex tasks in characterizing the space of a literary work. Most authors change space each time they start a new novel. In the case of Marina Mayoral, we found a room of her own, a closed universe that has its well-defined contours. In Mayoral, the central space of each work is directly related to a term: Brétema. In this paper, we will try to draw contours in an amazing world that takes its name in La única libertad (Mayoral 1982) and that links all her works.
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
