智利广播剧院的三个阶段:从黄金时代到小说系列的新繁荣

IF 1.2 Q3 COMMUNICATION
Raúl Rodríguez Ortiz
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引用次数: 0

摘要

自2016年以来,由于播客和广播点播,新的小说和非小说声音系列在伊比利亚美洲的大部分地区有所增长,因此分析智利广播戏剧作为一种类型的历史,从其根源和社会文化重要性到21世纪制作和思考该类型的新方式的任务是进行的。在文献资料的基础上,包括新闻档案、广播戏剧剧本音频和少数关于广播和广播戏剧的研究,可以阐明三个阶段:黄金时代(1940-1970);广播戏剧的重生(2003-2015)和当前的繁荣期(2016年至今)。虽然在第一阶段和第二阶段之间有一定的连续性,尽管有暂时的和技术上的突破,但在第三阶段,有一种新的创作和设计这些作品的方式,其情节回应了在公共空间中不可见或受歧视的群体的社会和政治斗争,以及流通和传播的方式。没有了像以前的广播肥皂剧那样,收音机成为传播的关键场所。关键词:广播剧;小说;历史;智利;播客。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Las tres etapas del radioteatro en Chile: de la época dorada al nuevo auge de las series de ficción
Following the growth, since 2016, of new fiction and non-fiction sound series in a large part of Ibero America, thanks to podcast and radio on demand, the task of analyzing the history of radio theater as a genre in Chile, from its roots and sociocultural importance to the new ways of producing and thinking about the genre in the 21st century is conducted. On the basis of documentary information, consisting of press archives, audios of radio theater scripts and the few studies on radio and radio theater, three stages can be elucidated: the golden age (1940-1970); the rebirth of radio theater (2003-2015) and the genre current boom period (2016 to present). While there are certain continuities between the first and second period, despite the temporary and technological breakthrough, in the third stage there is a new way of creating and designing these productions, with plots that respond to social and political struggles of groups that are invisible or discriminated in the public space, as well as in the way of circulating and disseminating them, without the radio being the key place par excellence for transmission as happened with the old radio soap operas. Keywords: Radio Drama; Fiction; History; Chile; Podcast.
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来源期刊
Index Comunicacion
Index Comunicacion COMMUNICATION-
CiteScore
1.60
自引率
12.50%
发文量
28
审稿时长
8 weeks
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