重写历史,重新铭刻这座城市:泰国与民主的幻觉

IF 2.4 2区 社会学 Q3 ENVIRONMENTAL STUDIES
Ross King
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引用次数: 0

摘要

城市带着它们过去的痕迹;它们还带有想象中的过去的痕迹,这些痕迹是专制政权为了压制其他想象而刻在它们上面的。20世纪初的曼谷展示了佛教皇室的意义和想象的起源,随后在1932年推翻君主专制主义后,由于强加新的民主象征而受到压制。民主的标志是建立在普通民众之上。在21世纪,一个披着伪民主外衣的军政府重写了民主的象征,现在表明民主不是基于人民,而是一个仁慈的君主的礼物。对民主的颠覆可以从这座城市的纪念碑中解读出来,这些纪念碑突出了威权国家在重写民族历史时所采用的具体策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Re-writing history, re-inscribing the city: Thailand and delusions of democracy
Cities carry traces of their pasts; they also carry traces of imagined pasts, inscribed on them by authoritarian regimes to suppress other imaginings. Bangkok in the early 20th century displayed the signification of a Buddhist royalty and imagined origins, subsequently suppressed with the imposition of new emblems of democracy following a 1932 overthrow of monarchical absolutism. Democracy was to be signified as founded in the common people. In the 21st century, a military junta dressed in the clothes of a pseudo-democracy re-writes the emblems of democracy, now to signify that democracy is not based in the people but, rather, is the gift of a benevolent monarch. The subverting of democracy is to be read from the monuments of the city, which highlight the specific strategies that the authoritarian state invokes in re-writing the national history.
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来源期刊
CiteScore
5.50
自引率
7.40%
发文量
78
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