论蝙蝠与蜜蜂:《文坛》中的鲁本斯

IF 0.2 3区 社会学 0 HUMANITIES, MULTIDISCIPLINARY
Tamar Cholcman
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引用次数: 0

摘要

文坛人文世界中密切相关的事业,特别是徽书的制作,创造了艺术家和学者之间的合作。徽书的制作,以其特有的文字与图像的相互作用,为人文主义者和艺术家创造了一个相遇的场所。因此,不仅文人用图画来表达他们的思想,而且艺术家也使用象征性的形式作为修辞工具,并以这种方式积极参与共和国的事业。本文考察了彼得·保罗·鲁本斯对象征符号的运用,表明他不仅是一个象征符号的使用者,而且是一个象征符号的制造者。他的Freising祭坛画中的蝙蝠和蜜蜂的形象不仅构成了一个新的象征,证明了鲁本斯对《文坛》艺术和文学事业的创新贡献,而且还作为艺术家在自己的学科中使用象征形式的案例研究,使他们的声音在《文坛》的话语中被听到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On bats and bees: Rubens in the Republic of Letters
Abstract The closely interrelated enterprises in the humanistic world of the Republic of Letters, especially in the production of emblem books, created collaborations between artists and scholars. The production of emblem books, with their characteristic interplay between word and image, creates a place where humanists and artists could meet. Consequently, not only did men of letters use pictorial expressions to articulate their ideas, but artists also used emblematic forms as rhetorical tools, and in this manner took an active part in the Republic’s enterprises. This essay examines Peter Paul Rubens’s use of emblematics, showing that he was not merely a user but a producer of emblems. The image of a bat and a bee in his Freising altarpiece not only constitutes a new emblem that attests to Rubens’s innovative contribution to both the artistic and literary enterprises of the Republic of Letters, but also serves as a case study of the artists’ instrumentalization of emblematic forms in their own discipline, making their voice heard in the discourse of the Republic of letters.
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来源期刊
WORD & IMAGE
WORD & IMAGE HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
33.30%
发文量
12
期刊介绍: Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime areas of humanistic criticism. Word & Image provides a forum for articles that focus exclusively on this special study of the relations between words and images. Themed issues are considered occasionally on their merits.
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