从对乔治亚·奥基夫作品的接受看现代主义天才

Q3 Arts and Humanities

Art History and Criticism Pub Date : 2022-12-01 DOI:10.2478/mik-2022-0006

K. Rosiejka

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引用次数: 0

摘要

本文分析了在20世纪10年代和20年代美国抽象画家乔治亚·奥基夫作品的批评接受中关于现代主义天才的话语。目的是反思奥基夫作为她那个时代男性化现实中的非典型艺术家的理解如何影响了在讨论期间艺术评论家对天才理想的看法。本文还旨在修订有关画家在艺术世界中的存在和她的艺术作品在其中的地位的一些概念。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Modernist Genius in the Light of the Reception of Georgia O’Keeffe’s Work

Summary The text analyzes the discourse on modernist genius functioning within the critical reception of the works of an American abstract painter Georgia O’Keeffe in the 1910s and 1920s. The aim is to reflect on how the understanding of O’Keeffe as an atypical artist in the masculinized reality of her time influenced the views on the ideal of genius articulated by art critics during the discussed period. The text also aims to revise some concepts regarding the painter’s presence in the artistic world and the position of her artwork therein.

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来源期刊

Art History and Criticism Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

24 weeks