{"title":"根据头部形状划分、角度和切片线改变两块不对称切割的设计形状","authors":"Hye-Ran Guk","doi":"10.20402/ajbc.2022.0097","DOIUrl":null,"url":null,"abstract":"Purpose: In this study, the weight line is the right (diagonal) line and the shape line is the asymmetrical cut of the left (diagonal) line rendered in the form of two blocks. In addition, it is meaningful to provide basic data on haircuts by demonstrating the design and length changes according to head area division, angle, and slice line.Methods: It is divided into upper and lower parts starting from golden back medium point, back point, and back nape medium point. 10 cm at the upper point, diagonal (V) line on the left, diagonal (A) line on the right, celestial axis of 0°, and a head angle of 20°, and 40° were used.Results: LGBM1 and LB1 were observed as two-block asymmetrical cuts, expressing rhythm, mystery, liveliness, dynamic, and freshness. However, LBNM1 was observed only asymmetrically. Since the asymmetrical cut is different from left to right, a heterogeneous phenomenon appeared. Regular asymmetry is thought to provide dynamism, liveliness, rhythm, and freshness expressed as harmonious beauty of order and balance. In addition, since the slice line is started from the side, it is considered that the slope is less than that starting from the back. One length symbolizes smoothness, orderliness, and heaviness, and the gradation has both a smooth texture and rough texture.Conclusion: Asymmetrical cuts can provide freshness, mystery, dynamism, liveliness, and rhythm through imbalance. In other words, the asymmetrical cut can be balanced and harmonized with creative effects. In future studies, it is expected that studies on the mixed form of gradation and uniform layer cut, volume cut, and design form of the front of the head and the temporal area of the head will be conducted.","PeriodicalId":8508,"journal":{"name":"Asian Journal of Beauty and Cosmetology","volume":"20 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Changes in the Design Shape of Two-Block Asymmetrical Cuts According to the Head Shape Division, Angle, and Slice Line\",\"authors\":\"Hye-Ran Guk\",\"doi\":\"10.20402/ajbc.2022.0097\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Purpose: In this study, the weight line is the right (diagonal) line and the shape line is the asymmetrical cut of the left (diagonal) line rendered in the form of two blocks. In addition, it is meaningful to provide basic data on haircuts by demonstrating the design and length changes according to head area division, angle, and slice line.Methods: It is divided into upper and lower parts starting from golden back medium point, back point, and back nape medium point. 10 cm at the upper point, diagonal (V) line on the left, diagonal (A) line on the right, celestial axis of 0°, and a head angle of 20°, and 40° were used.Results: LGBM1 and LB1 were observed as two-block asymmetrical cuts, expressing rhythm, mystery, liveliness, dynamic, and freshness. However, LBNM1 was observed only asymmetrically. Since the asymmetrical cut is different from left to right, a heterogeneous phenomenon appeared. Regular asymmetry is thought to provide dynamism, liveliness, rhythm, and freshness expressed as harmonious beauty of order and balance. In addition, since the slice line is started from the side, it is considered that the slope is less than that starting from the back. One length symbolizes smoothness, orderliness, and heaviness, and the gradation has both a smooth texture and rough texture.Conclusion: Asymmetrical cuts can provide freshness, mystery, dynamism, liveliness, and rhythm through imbalance. In other words, the asymmetrical cut can be balanced and harmonized with creative effects. In future studies, it is expected that studies on the mixed form of gradation and uniform layer cut, volume cut, and design form of the front of the head and the temporal area of the head will be conducted.\",\"PeriodicalId\":8508,\"journal\":{\"name\":\"Asian Journal of Beauty and Cosmetology\",\"volume\":\"20 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Asian Journal of Beauty and Cosmetology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20402/ajbc.2022.0097\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Asian Journal of Beauty and Cosmetology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20402/ajbc.2022.0097","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Changes in the Design Shape of Two-Block Asymmetrical Cuts According to the Head Shape Division, Angle, and Slice Line
Purpose: In this study, the weight line is the right (diagonal) line and the shape line is the asymmetrical cut of the left (diagonal) line rendered in the form of two blocks. In addition, it is meaningful to provide basic data on haircuts by demonstrating the design and length changes according to head area division, angle, and slice line.Methods: It is divided into upper and lower parts starting from golden back medium point, back point, and back nape medium point. 10 cm at the upper point, diagonal (V) line on the left, diagonal (A) line on the right, celestial axis of 0°, and a head angle of 20°, and 40° were used.Results: LGBM1 and LB1 were observed as two-block asymmetrical cuts, expressing rhythm, mystery, liveliness, dynamic, and freshness. However, LBNM1 was observed only asymmetrically. Since the asymmetrical cut is different from left to right, a heterogeneous phenomenon appeared. Regular asymmetry is thought to provide dynamism, liveliness, rhythm, and freshness expressed as harmonious beauty of order and balance. In addition, since the slice line is started from the side, it is considered that the slope is less than that starting from the back. One length symbolizes smoothness, orderliness, and heaviness, and the gradation has both a smooth texture and rough texture.Conclusion: Asymmetrical cuts can provide freshness, mystery, dynamism, liveliness, and rhythm through imbalance. In other words, the asymmetrical cut can be balanced and harmonized with creative effects. In future studies, it is expected that studies on the mixed form of gradation and uniform layer cut, volume cut, and design form of the front of the head and the temporal area of the head will be conducted.