根据头部形状划分、角度和切片线改变两块不对称切割的设计形状

Hye-Ran Guk
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引用次数: 0

摘要

目的:在本研究中,权重线为右(对角线)线,形状线为左(对角线)线的不对称切割,以两块块的形式呈现。此外,通过展示头部区域划分、角度和切片线的设计和长度变化,为理发提供基础数据具有重要意义。方法:从金背中点、背穴、后颈中点出发,分为上下两部分。上点10cm,左对角线(V),右对角线(A),天轴为0°,头角分别为20°和40°。结果:LGBM1和LB1呈双块不对称切痕,表现出律动、神秘、活泼、动感、新鲜感。然而,LBNM1仅不对称地观察到。由于不对称切割从左到右是不同的,因此出现了异质现象。规则的不对称被认为提供了活力、活力、节奏和新鲜感,表现为秩序和平衡的和谐之美。此外,由于切片线是从侧面开始的,因此认为其斜率小于从背面开始的斜率。一个长度象征着平滑、有序和厚重,渐变既有光滑的纹理,也有粗糙的纹理。结论:不对称的切割可以通过不平衡提供新鲜感、神秘感、活力、活力和节奏。换句话说,不对称的剪裁可以与创意效果相平衡和协调。在未来的研究中,预计将对头部前部和头部颞区分层均匀切割的混合形式、体积切割和设计形式进行研究。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Changes in the Design Shape of Two-Block Asymmetrical Cuts According to the Head Shape Division, Angle, and Slice Line
Purpose: In this study, the weight line is the right (diagonal) line and the shape line is the asymmetrical cut of the left (diagonal) line rendered in the form of two blocks. In addition, it is meaningful to provide basic data on haircuts by demonstrating the design and length changes according to head area division, angle, and slice line.Methods: It is divided into upper and lower parts starting from golden back medium point, back point, and back nape medium point. 10 cm at the upper point, diagonal (V) line on the left, diagonal (A) line on the right, celestial axis of 0°, and a head angle of 20°, and 40° were used.Results: LGBM1 and LB1 were observed as two-block asymmetrical cuts, expressing rhythm, mystery, liveliness, dynamic, and freshness. However, LBNM1 was observed only asymmetrically. Since the asymmetrical cut is different from left to right, a heterogeneous phenomenon appeared. Regular asymmetry is thought to provide dynamism, liveliness, rhythm, and freshness expressed as harmonious beauty of order and balance. In addition, since the slice line is started from the side, it is considered that the slope is less than that starting from the back. One length symbolizes smoothness, orderliness, and heaviness, and the gradation has both a smooth texture and rough texture.Conclusion: Asymmetrical cuts can provide freshness, mystery, dynamism, liveliness, and rhythm through imbalance. In other words, the asymmetrical cut can be balanced and harmonized with creative effects. In future studies, it is expected that studies on the mixed form of gradation and uniform layer cut, volume cut, and design form of the front of the head and the temporal area of the head will be conducted.
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