重离子聚变驱动的工程和使能技术开发

IF 0.3 1区 艺术学 0 MUSIC
W. Waldron, B. Logan, L. Ahle, G. Sabbi
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引用次数: 0

摘要

重离子聚变虚拟国家实验室是LBNL、LLNL和PPPL之间的合作项目。工程和技术开发活动与主要实验领域密切相关,包括喷射器、光束传输和最终焦点。高电流密度离子源,以产生更紧凑的多束注入器是当前活动的主要焦点。与绝缘体制造商有几项合作,以实现更高的梯度,同时降低制造成本并保持高真空兼容性。SBIR合同正在研究固态脉冲发生器技术,以提供可靠的脉冲发生器,具有灵活的波形控制,所需的压缩光束和纠正空间电荷效应的能力。铁磁材料的发展正在继续寻找低损耗、高磁通摆动的可负担材料。在过去的一年里,脉冲磁体和超导磁体的原型测试为目前单束实验中这两种磁体系统的发展提供了基础。重离子聚变驱动器需要在这些领域持续发展技术,以满足所需的性能目标,并保持经济上的可行性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Engineering and enabling technology development for heavy ion fusion drivers
The Heavy Ion Fusion Virtual National Laboratory is a collaboration among LBNL, LLNL, and PPPL. The engineering and technology development activities arc closely aligned with the major experimental areas, which include injectors, beam transport, and final focus. High current density ion sources to produce a more compact multiple beam injector are a major focus of the current activities. There are several collaborations with insulator manufacturers to achieve higher gradients while lowering the manufacturing cost and maintaining high vacuum compatibility. Solid-state pulser technology is being pursued through an SBIR contract to provide reliable pulsers with agile waveform control, a required capability to compress the beam and correct for space charge effects. Ferromagnetic material development is continuing to look at low-loss, high flux swing material that is affordable. The testing of prototype pulsed and superconducting magnets over the last year has provided the basis for developing both of these magnet systems for the present single beam experiments. A heavy ion fusion driver will require continued technology development in these areas to meet the required performance goals and remain economically feasible.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
11
期刊介绍: 19th-Century Music covers all aspects of Western art music between the mid-eighteenth and mid-twentieth centuries. We welcome--in no particular order--considerations of composers and compositions, styles, performance, historical watersheds, cultural formations, critical methods, musical institutions, ideas, and topics not named on this list. Our aim is to publish contributions to ongoing conversations at the leading edge of musical and multidisciplinary scholarship.
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