《被剥夺了恩典:不平等的情感:一个好女人的风景:两个生命的故事》,卡罗琳·凯·斯蒂德曼著

A. Stoler
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引用次数: 0

摘要

摘要:这篇文章试图说明,为什么《好女人的风景》在我三十多年的阅读和教学中一直吸引着我,它对情感的关注与我自己的作品如此生动地结合在一起。卡罗琳·斯蒂德曼(Carolyn Steedman)打破了工人阶级历史的传统,在那里,一种“麻木的情感千篇一律”抹去了这些生活的情感和物质匮乏。她对社会归属及其排斥的理解是独一无二的。她把孩子们的看法视为“成年人政治分析的特征”。在她激进的风格中,被贬低、痛苦和反抗与对一条清扫裙的渴望结合在一起,以弥补“边疆”的粗糙景观。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On Being Shorn of Grace: Sentiments of Inequality: Landscape for a Good Woman: A Story of Two Lives, Carolyn Kay Steedman
Abstract:This essay is an effort to convey why Landscape for a Good Woman has held me fast for some 30 years of rereading and teaching with it, its attention to sentiment so vividly joining with my own work. Carolyn Steedman shatters the conventions of working-class histories, where a "stolid emotional sameness" erases the affective and material privations of those lives. Her understanding of social belonging and its exclusions is unique. She takes children's perceptions as "the very lineaments of adult political analysis." In her radical style, being demeaned, bitter, and defiant joins with longing for a sweeping skirt to make up the rough landscape of the "borderlands."
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