路易吉·瓜尔多的怪异和怪异

Filippo Fonio
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引用次数: 0

摘要

理想与现实、世界主义与根绝之间的人物与场所本文着重分析了路易吉·瓜尔多作品中不同形式的隔阂与格格不入。瓜尔多(1844-1898)是一位杰出的作家,他的作品受到法国现实主义和帕纳斯主义、意大利scapigliatura和欧洲颓废主义和审美主义的影响。此外,他生活在法国和意大利之间,是他那个时代法国和意大利文学的主要传播者之一。作家的这种特殊状况反映在他的作品中,特别是在他的人物形象中,这些人物往往是无根的艺术家和具有强烈世界主义成分的世俗女性。本文的目的是根据疏远和格格不入的参数来分析瓜尔多人物的一些特点和特征。我将特别关注理想世界与现实之间关系的模糊性,艺术天才及其在社会和正常世界中的地位,以及与该主题相关的更具体的主题,例如脾脏,被描述为戏剧装饰的地方,酒店房间和女性游牧态度,世界主义对角色来说既是挑战又是机遇。最后,我将以疏远的性格、时间和衰老之间的斗争作为结语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Straniamenti e spaesamenti di Luigi Gualdo
Estrangement and Out-of-Placeness in the Works of Luigi Gualdo Characters and places between ideal and reality, cosmopolitanism and uprooting This paper focuses on the different forms of estrangement and out-of-placeness which can be found in Luigi Gualdo’s works. Gualdo (1844-1898) was a prominent writer whose works are influenced by French realism and Parnasse, Italian scapigliatura and the European decadence and estheticism. Moreover, he lived between France and Italy and he was one of the main passeurs between French and Italian literature of his time. This particular condition of the writer is reflected in his works and in particular in the portraiture of his characters, which are often rootless artists and mundane women with a strong component of cosmopolitism. The aim of this paper is to analyse some of the characteristics and features of Gualdo’s characters according to the parameters of estrangement and out-of-placeness. In particular I will focus on the ambiguous nature of the relation between ideal world and reality, of artistic genius and its place in society and the normal world, as well as on more specific topics related to the subject, such as spleen, places described as theatrical decors, hotel rooms and feminine nomadic attitudes, cosmopolitism as both a challenge and an opportunity for the characters. I will conclude on a specific issue regarding the struggle between the estranged character, time, and aging.
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