真菌保护和古埃及-第1部分:一种精神遗产的外观

F. Shafie
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引用次数: 0

摘要

埃及是文明和真菌学的摇篮。绘制真菌是真菌学的乐趣之一,也是任何人都可以尝试的事情。艺术自古以来就是真菌学的一部分,并在许多国际期刊和书籍中发表。无论是在野外指南还是真菌专著中,线条图对于显示真菌结构的细节都是必不可少的。古埃及人在庙宇上和全国各地的象形文字中制作了许多迷幻蘑菇的象形文字描述。一个新的有吸引力的工具来提高国家和国际上对真菌保护的认识是在许多有吸引力的肖像中绘制真菌,因为古埃及人到处记录它们。在这一系列的绘画中,我参与了这些肖像,以吸引中东和北非地区的年轻真菌学家,并应用一种新的工具来保存真菌。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Fungal conservation and ancient Egyptians- Part 1: A spiritual heritage of a look
Egypt is the cradle of civilization and mycology. Drawing fungi is one of the joys of mycology, and something that anybody can try. Art has been a part of mycology since earliest times and published in many international journals and books. Line drawings are essential for showing details of fungal structure, whether in a field guide or fungal monographs. Ancient Egyptians produced a number of hieroglyphic depictions of psychedelic mushrooms on temples and through hieroglyphic texts throughout the country. A new attractive tool to raise national and international awareness on fungal conservation is drawing of fungi in many attractive portraits as ancient Egyptians documented them everywhere. In this series of paintings I participated with these portraits to attract young mycologists in MENA and to apply a new tool for conserving fungi.
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来源期刊
CiteScore
1.90
自引率
0.00%
发文量
9
审稿时长
4 weeks
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