{"title":"维里米尔Ilišević绘画《波夫拉塔克二世》中的一个虚拟故事","authors":"Željka Jungić","doi":"10.5937/zbakum1907047j","DOIUrl":null,"url":null,"abstract":"The paper focuses on the research of virtual aspects of the narrative in the Velimir Ilisevic's painting Povratak II. The transmedial narratological reading of Ilisevic's artwork requires the application of analytical tools of cognitive narratology. Framing borders and framing, polychronic narration, and contradictory narratives represent some of the fundamental research tools for interpreting the virtual world. The aim of this research is the interpretation of the virtual narrative in the painting Povratak II, whose morphological concept is presented by the title being the framing border that frames the historiographic and psychological cognitive frame, through discourses on fascism, revisionism and painters - the tamers of their time.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"9 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A virtual story in the Velimir Ilišević's painting Povratak II\",\"authors\":\"Željka Jungić\",\"doi\":\"10.5937/zbakum1907047j\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper focuses on the research of virtual aspects of the narrative in the Velimir Ilisevic's painting Povratak II. The transmedial narratological reading of Ilisevic's artwork requires the application of analytical tools of cognitive narratology. Framing borders and framing, polychronic narration, and contradictory narratives represent some of the fundamental research tools for interpreting the virtual world. The aim of this research is the interpretation of the virtual narrative in the painting Povratak II, whose morphological concept is presented by the title being the framing border that frames the historiographic and psychological cognitive frame, through discourses on fascism, revisionism and painters - the tamers of their time.\",\"PeriodicalId\":31481,\"journal\":{\"name\":\"Zbornik Radova Akademije Umetnosti\",\"volume\":\"9 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zbornik Radova Akademije Umetnosti\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5937/zbakum1907047j\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zbornik Radova Akademije Umetnosti","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5937/zbakum1907047j","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A virtual story in the Velimir Ilišević's painting Povratak II
The paper focuses on the research of virtual aspects of the narrative in the Velimir Ilisevic's painting Povratak II. The transmedial narratological reading of Ilisevic's artwork requires the application of analytical tools of cognitive narratology. Framing borders and framing, polychronic narration, and contradictory narratives represent some of the fundamental research tools for interpreting the virtual world. The aim of this research is the interpretation of the virtual narrative in the painting Povratak II, whose morphological concept is presented by the title being the framing border that frames the historiographic and psychological cognitive frame, through discourses on fascism, revisionism and painters - the tamers of their time.
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