书评:刷剧与当代电视研究

IF 0.9 2区艺术学 0 FILM, RADIO, TELEVISION

Critical Studies in Television Pub Date : 2022-08-22 DOI:10.1177/17496020221121482

B. Mills

{"title":"书评:刷剧与当代电视研究","authors":"B. Mills","doi":"10.1177/17496020221121482","DOIUrl":null,"url":null,"abstract":"Buttigieg JA (2018) Gramsci in English. International Gramsci Journal 3(1): 26–40. Coronation Street (1960) ITV. ITV Studios. Gramsci A, Hoare Q and Nowell-Smith G (1971) Selections from the Prison Notebooks of Antonio Gramsci. London: Lawrence & Wishart. Newcomb H (1974) TV: The Most Popular Art. Garden City, NY: Doubleday/Anchor Press. Sanders of the River. Zoltán Korda (1935) London Films. Williams R (1974) Television: Technology and Cultural Form. London: Fontana.","PeriodicalId":51917,"journal":{"name":"Critical Studies in Television","volume":null,"pages":null},"PeriodicalIF":0.9000,"publicationDate":"2022-08-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Book Review: Binge-Watching and Contemporary Television Studies\",\"authors\":\"B. Mills\",\"doi\":\"10.1177/17496020221121482\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Buttigieg JA (2018) Gramsci in English. International Gramsci Journal 3(1): 26–40. Coronation Street (1960) ITV. ITV Studios. Gramsci A, Hoare Q and Nowell-Smith G (1971) Selections from the Prison Notebooks of Antonio Gramsci. London: Lawrence & Wishart. Newcomb H (1974) TV: The Most Popular Art. Garden City, NY: Doubleday/Anchor Press. Sanders of the River. Zoltán Korda (1935) London Films. Williams R (1974) Television: Technology and Cultural Form. London: Fontana.\",\"PeriodicalId\":51917,\"journal\":{\"name\":\"Critical Studies in Television\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-08-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Studies in Television\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/17496020221121482\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Studies in Television","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/17496020221121482","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

Buttigieg JA(2018)葛兰西英译。国际葛兰西学报3(1):26-40。加冕街(1960)ITV。ITV工作室。葛兰西A, Hoare Q和Nowell-Smith G(1971)《安东尼奥·葛兰西监狱笔记选集》。伦敦:Lawrence & Wishart。Newcomb H(1974)电视:最流行的艺术。花园城，纽约:双日出版社/锚出版社。河上的桑德斯。Zoltán科尔达(1935)伦敦电影公司。Williams R(1974)电视:技术与文化形式。伦敦:丰塔纳。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Book Review: Binge-Watching and Contemporary Television Studies

Buttigieg JA (2018) Gramsci in English. International Gramsci Journal 3(1): 26–40. Coronation Street (1960) ITV. ITV Studios. Gramsci A, Hoare Q and Nowell-Smith G (1971) Selections from the Prison Notebooks of Antonio Gramsci. London: Lawrence & Wishart. Newcomb H (1974) TV: The Most Popular Art. Garden City, NY: Doubleday/Anchor Press. Sanders of the River. Zoltán Korda (1935) London Films. Williams R (1974) Television: Technology and Cultural Form. London: Fontana.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Critical Studies in Television FILM, RADIO, TELEVISION-

CiteScore

2.10

自引率

30.00%

发文量

期刊介绍： Critical Studies in Television publishes articles that draw together divergent disciplines and different ways of thinking, to promote and advance television as a distinct academic discipline. It welcomes contributions on any aspect of television—production studies and institutional histories, audience and reception studies, theoretical approaches, conceptual paradigms and pedagogical questions. It continues to invite analyses of the compositional principles and aesthetics of texts, as well as contextual matters relating to both contemporary and past productions. CST also features book reviews, dossiers and debates. The journal is scholarly but accessible, dedicated to generating new knowledge and fostering a dynamic intellectual platform for television studies.