大银幕上的国际主义:关于国际联盟的电影

Q3 Social Sciences
Pelle Van Dijk
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引用次数: 0

摘要

在国际联盟传播策略方面的文献越来越多的基础上,本文讨论了各种演员拍摄的关于国际组织活动的电影。虽然国际联盟日内瓦秘书处的努力是本文的中心,但重要的是要承认聚集在各国国际联盟协会的民间社会行动者制作的电影。这些社团不受禁止对国联官员进行宣传的限制,它们试图通过情绪化的呼吁和使国联的信息适应国家政治背景来动员听众。经过长时间的拖延和最终有限的成功,秘书处在20世纪30年代末制作了自己的对讲机,《工作中的联盟》。在本文讨论的所有三部电影中,第一次世界大战的恐怖被描绘成说服观众,国际合作是必要的,以防止新的灾难。通过这些电影,不同的演员将联盟宣传为一个可以监督稳定世界秩序的组织。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Internationalism on the big screen: Films on the League of Nations
Building on the growing literature on the communication strategies of the League of Nations, this article discusses the films that a variety of actors made on the activities of the international organization. While the efforts of the League’s Secretariat in Geneva are at the center of this article, it is important to acknowledge the films made by civil society actors, gathered in national League of Nations societies. Not constrained by the ban on propaganda that applied to the League officials, these societies tried to mobilize their audience by making emotional appeals and adapting the League’s message to the national political context. After long delays and eventually with limited success, the Secretariat made its own talkie in the late 1930s, The League at Work. In all three films discussed in this article, the horrors of the First World War were portrayed to convince the audience that international cooperation was necessary to prevent a new catastrophe. With these films, the various actors promoted the League as the organization that could oversee a stable world order.
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来源期刊
Studies in Communication Sciences
Studies in Communication Sciences Social Sciences-Communication
CiteScore
1.20
自引率
0.00%
发文量
34
审稿时长
36 weeks
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