“鬼簧”化简对萨克斯模型分岔图的影响

Q1 Arts and Humanities
Tom Colinot, Louis Guillot, C. Vergez, P. Guillemain, Jean-Baptiste Doc, B. Cochelin
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引用次数: 8

摘要

本文介绍了萨克斯风模型的分岔图是如何受到接触力的影响的,接触力限制了簧片在吹口处的位移。簧片的冲击是通过非线性刚度和阻尼来模拟的。将冲击模型与“鬼芦苇”简化模型进行了比较,在“鬼芦苇”简化模型中,芦苇在地层中畅通无阻。在这两种情况下的分岔图比较,在振幅方面的振荡和分岔的位置,在解决分支对应于第一和第二寄存器。在吹风压力参数较低时,鬼簧简化影响有限:图相似。即使在“打芦苇”的体制中也是如此,在这种体制中,芦苇和芦苇是一致的。在高吹风压力下,最明显的差异发生在振荡消失附近。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Influence of the "Ghost Reed" Simplification on the Bifurcation Diagram of a Saxophone Model
This paper presents how the bifurcation diagram of a saxophone model is affected by the contact force limiting the displacement of the reed when it strikes the mouthpiece lay. The reed impact is modeled by a nonlinear stiffness and damping activated by contact with the lay. The impact model is compared with the "ghost reed" simplification, where the reed moves through the lay unimpeded. Bifurcation diagrams in both cases are compared, in terms of amplitude of the oscillations and location of the bifurcations, on the solution branches corresponding to the first and second register. The ghost reed simplification has limited influence at low values of the blowing pressure parameter: the diagrams are similar. This is true even for "beating reed" regimes, in which the reed coincides with the lay. The most noticeable discrepancies occur near the extinction of the oscillations, at high blowing pressure.
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来源期刊
CiteScore
2.60
自引率
0.00%
发文量
0
审稿时长
6.8 months
期刊介绍: Cessation. Acta Acustica united with Acustica (Acta Acust united Ac), was published together with the European Acoustics Association (EAA). It was an international, peer-reviewed journal on acoustics. It published original articles on all subjects in the field of acoustics, such as • General Linear Acoustics, • Nonlinear Acoustics, Macrosonics, • Aeroacoustics, • Atmospheric Sound, • Underwater Sound, • Ultrasonics, • Physical Acoustics, • Structural Acoustics, • Noise Control, • Active Control, • Environmental Noise, • Building Acoustics, • Room Acoustics, • Acoustic Materials and Metamaterials, • Audio Signal Processing and Transducers, • Computational and Numerical Acoustics, • Hearing, Audiology and Psychoacoustics, • Speech, • Musical Acoustics, • Virtual Acoustics, • Auditory Quality of Systems, • Animal Bioacoustics, • History of Acoustics.
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