丹·布朗的《达芬奇密码:后现代主义研究》中的历史和宗教推测

Lamiaa Ahmed Rasheed, Anood Kareem Albiyatia
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引用次数: 0

摘要

丹·布朗是一位后现代主义作家。他于1964年6月22日出生于美国新罕布什尔州的埃克塞特。布朗写了很多所谓的历史元小说。这个词在小说中相当于后现代主义,并在70年代和80年代成为如此流行的写作趋势。丹·布朗的《达芬奇密码》(2003)是一部“后现代历史小说”,他在书中处理了大量的问题,如质疑天主教的权威和保守的新教。他使用了许多资料使他的论点更可信,并且可以作为现实主义小说来读,例如《圣杯与圣血》、《死海古卷》和《诺斯替的拿哈马第》。本文将以后现代主义批判理论为基础,探讨达·布朗在《达·芬奇的上帝》中所体现的历史和宗教思辨。这部小说包含了许多后现代主义元素,比如对圣杯和圣血的文本和历史辩论的使用。丹·布朗(Dan Brown)对《圣经》的权威提出了挑战,他将其描述为对历史的抬高,有偏见,并且是为了压制耶稣的事实。本文最后的结论阐明了我们如何将《达芬奇密码》作为一部后现代小说来解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Historical and religious speculations in Dan Brown's The Da Vinci code: A postmodernist study
Dan Brown is a postmodernist writer. He was born on 22Jun, 1964 in Exeter, New Hampshire US. Brown wrote a various number of what is called historiographic metafiction novel. This term has been equivalent to postmodernism in fiction and has become so popular trend of writing in the 70s and 80s. Dan Brown's Da Vinci Code (2003) is a "postmodern historical novel", in which he treats a large number of matters such as the questioning of the authority of Catholicism and conservative Protestantism. He used many sources to make his argument more believable and could be read as a realistic novel, such as Holy Grail and Holy Blood, The Dead Sea Scrolls, and The Gnostic Nag Hammadi. The paper will investigate the historical and religious speculations of Da Brown as reflected in Da Vinci Cod relying on the critical theory of postmodernism. The novel involves many postmodernist elements such as the use of textual and historical debate of the Holy Grail and Holy Blood. Dan Brown has challenged the Holy Writ "Biblical" authority when describing it as historically elevate, biased, and made to suppress Jesus's fact. The paper ends with a conclusion that clarifies how we could read The Da Vinci Code as a postmodern novel.
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