媒介特异性主张的回归与运动影像的评价

IF 0.1 0 FILM, RADIO, TELEVISION

Cinema-Journal of Philosophy and the Moving Image Pub Date : 2021-08-19 DOI:10.1093/oso/9780190683306.003.0002

Noël Carroll

{"title":"媒介特异性主张的回归与运动影像的评价","authors":"Noël Carroll","doi":"10.1093/oso/9780190683306.003.0002","DOIUrl":null,"url":null,"abstract":"This chapter reviews the traditional notion of medium specificity and its relevance to evaluation, along with recent revivals of the thesis in the work of Berys Gaut and Dominic Lopes. The chapter criticizes various versions of the medium specificity thesis – both past and present -- and offers an alternative approach to the evaluation of moving images.","PeriodicalId":43260,"journal":{"name":"Cinema-Journal of Philosophy and the Moving Image","volume":"7 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Return of Medium Specificity Claims and the Evaluation of the Moving Image\",\"authors\":\"Noël Carroll\",\"doi\":\"10.1093/oso/9780190683306.003.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter reviews the traditional notion of medium specificity and its relevance to evaluation, along with recent revivals of the thesis in the work of Berys Gaut and Dominic Lopes. The chapter criticizes various versions of the medium specificity thesis – both past and present -- and offers an alternative approach to the evaluation of moving images.\",\"PeriodicalId\":43260,\"journal\":{\"name\":\"Cinema-Journal of Philosophy and the Moving Image\",\"volume\":\"7 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-08-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinema-Journal of Philosophy and the Moving Image\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/oso/9780190683306.003.0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinema-Journal of Philosophy and the Moving Image","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oso/9780190683306.003.0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}

引用次数: 0

摘要

本章回顾了媒介特异性的传统概念及其与评估的相关性，以及最近Berys Gaut和Dominic Lopes在工作中的论文的复兴。本章批判了媒介专用性理论的各种版本——包括过去和现在——并提供了一种评估运动图像的替代方法。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

The Return of Medium Specificity Claims and the Evaluation of the Moving Image

This chapter reviews the traditional notion of medium specificity and its relevance to evaluation, along with recent revivals of the thesis in the work of Berys Gaut and Dominic Lopes. The chapter criticizes various versions of the medium specificity thesis – both past and present -- and offers an alternative approach to the evaluation of moving images.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Cinema-Journal of Philosophy and the Moving Image Multiple-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

40 weeks