{"title":"电影对我们的影响","authors":"J. Cutting","doi":"10.3167/proj.2023.170104","DOIUrl":null,"url":null,"abstract":"\nMovies on Our Minds (Cutting, 2021) provides structural analyses of popular, English-language cinema and maps them onto biological and psychological bases. It progresses from the details of optics and screen projection; through transitions and shots; on to scenes, montages, and syntagmas; and finally to larger narrative units and the flow of patterns of elements across whole movies. It focuses on changes in all of those patterns across a century, ascribing them to evolution. That evolution, akin to Darwinian evolution, is hallmarked by patterns of reproduction with inheritance, variation, and selection of traits over time. Two forces appear to have guided this evolution: the matching of elements of film form to predilections of the biology of our visual systems, and their matching to predilections of our cognition, particularly as it has been shaped by visual culture.","PeriodicalId":93495,"journal":{"name":"Projections (New York, N.Y.)","volume":"32 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Précis of Movies on Our Minds\",\"authors\":\"J. Cutting\",\"doi\":\"10.3167/proj.2023.170104\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nMovies on Our Minds (Cutting, 2021) provides structural analyses of popular, English-language cinema and maps them onto biological and psychological bases. It progresses from the details of optics and screen projection; through transitions and shots; on to scenes, montages, and syntagmas; and finally to larger narrative units and the flow of patterns of elements across whole movies. It focuses on changes in all of those patterns across a century, ascribing them to evolution. That evolution, akin to Darwinian evolution, is hallmarked by patterns of reproduction with inheritance, variation, and selection of traits over time. Two forces appear to have guided this evolution: the matching of elements of film form to predilections of the biology of our visual systems, and their matching to predilections of our cognition, particularly as it has been shaped by visual culture.\",\"PeriodicalId\":93495,\"journal\":{\"name\":\"Projections (New York, N.Y.)\",\"volume\":\"32 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Projections (New York, N.Y.)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/proj.2023.170104\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Projections (New York, N.Y.)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/proj.2023.170104","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Movies on Our Minds (Cutting, 2021) provides structural analyses of popular, English-language cinema and maps them onto biological and psychological bases. It progresses from the details of optics and screen projection; through transitions and shots; on to scenes, montages, and syntagmas; and finally to larger narrative units and the flow of patterns of elements across whole movies. It focuses on changes in all of those patterns across a century, ascribing them to evolution. That evolution, akin to Darwinian evolution, is hallmarked by patterns of reproduction with inheritance, variation, and selection of traits over time. Two forces appear to have guided this evolution: the matching of elements of film form to predilections of the biology of our visual systems, and their matching to predilections of our cognition, particularly as it has been shaped by visual culture.
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