David González Hernández, Antonieta Mercado Anaya, Efraín Delgado Rivera, Jaime Miguel González Chávez
{"title":"电视、情节剧和虚构的传记剧:胡安·加布里埃尔、路易斯·米格尔和乔斯·乔斯·乔斯","authors":"David González Hernández, Antonieta Mercado Anaya, Efraín Delgado Rivera, Jaime Miguel González Chávez","doi":"10.32870/cys.v2020.7492","DOIUrl":null,"url":null,"abstract":"This article examines the narrative strategies that have structured the biographical series of Juan Gabriel, Luis Miguel, and Jose Jose transmitted by television channels and streaming platforms with international influence. It focuses primarily on their retrospective stories and struggles to achieve “success”. We discussed how these storylines are reconfigured as melodramas to manage tensions about gender, sexuality, drug addiction and family.","PeriodicalId":35210,"journal":{"name":"Comunicacion y Sociedad","volume":"14 1","pages":"1-28"},"PeriodicalIF":0.0000,"publicationDate":"2020-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Television, melodrama and fictional bioseries: Juan Gabriel, Luis Miguel, and José José\",\"authors\":\"David González Hernández, Antonieta Mercado Anaya, Efraín Delgado Rivera, Jaime Miguel González Chávez\",\"doi\":\"10.32870/cys.v2020.7492\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the narrative strategies that have structured the biographical series of Juan Gabriel, Luis Miguel, and Jose Jose transmitted by television channels and streaming platforms with international influence. It focuses primarily on their retrospective stories and struggles to achieve “success”. We discussed how these storylines are reconfigured as melodramas to manage tensions about gender, sexuality, drug addiction and family.\",\"PeriodicalId\":35210,\"journal\":{\"name\":\"Comunicacion y Sociedad\",\"volume\":\"14 1\",\"pages\":\"1-28\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-03-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comunicacion y Sociedad\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32870/cys.v2020.7492\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comunicacion y Sociedad","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32870/cys.v2020.7492","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
Television, melodrama and fictional bioseries: Juan Gabriel, Luis Miguel, and José José
This article examines the narrative strategies that have structured the biographical series of Juan Gabriel, Luis Miguel, and Jose Jose transmitted by television channels and streaming platforms with international influence. It focuses primarily on their retrospective stories and struggles to achieve “success”. We discussed how these storylines are reconfigured as melodramas to manage tensions about gender, sexuality, drug addiction and family.
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