{"title":"景色优美。文艺复兴时期的画作是有生命的物体","authors":"B. D. Klerck","doi":"10.18352/incontri.10293","DOIUrl":null,"url":null,"abstract":"Review of Elsje van Kessel, The Lives of Paintings. Presence, Agency and Likeness in Venetian Art of the Sixteenth Century (Studien aus dem Warburg Haus, vol. 18), Berlin, De Gruyter, Leiden, Leiden University Press, 2017.","PeriodicalId":30270,"journal":{"name":"Incontri Rivista Europea di Studi Italiani","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A view to a kill. Renaissance paintings as living objects\",\"authors\":\"B. D. Klerck\",\"doi\":\"10.18352/incontri.10293\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Review of Elsje van Kessel, The Lives of Paintings. Presence, Agency and Likeness in Venetian Art of the Sixteenth Century (Studien aus dem Warburg Haus, vol. 18), Berlin, De Gruyter, Leiden, Leiden University Press, 2017.\",\"PeriodicalId\":30270,\"journal\":{\"name\":\"Incontri Rivista Europea di Studi Italiani\",\"volume\":\"13 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-09-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Incontri Rivista Europea di Studi Italiani\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18352/incontri.10293\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Incontri Rivista Europea di Studi Italiani","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18352/incontri.10293","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A view to a kill. Renaissance paintings as living objects
Review of Elsje van Kessel, The Lives of Paintings. Presence, Agency and Likeness in Venetian Art of the Sixteenth Century (Studien aus dem Warburg Haus, vol. 18), Berlin, De Gruyter, Leiden, Leiden University Press, 2017.
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