IF 0.2 0 LITERATURE, ROMANCE
Timothy Raser
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引用次数: 0

摘要

前三个版本之间存在的差异使得不可能用单一的信息来谈论单一的作品,对文本的仔细检查表明,它遵循了一种重复的、机械的强迫,这种强迫被称为过度决定。这种机制,既能制造恐怖,也能制造愤怒,引导着小说本身,但也破坏了前言,使它们更加强调而不是有说服力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Il y a du goth . . . dedans”
The differences existing between the first three editions of Le Dernier Jour d’un condamné make it impossible to speak of single work with a single message, and close examination of the text shows that it is following a repetitive, mechanical compulsion that has come to be known as overdetermination. This mechanism, just as capable of producing horror as it is of producing outrage, guides the novel itself, but also corrupts the prefaces, making them more emphatic than persuasive.
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来源期刊
Romanic Review
Romanic Review Arts and Humanities-Arts and Humanities (all)
CiteScore
0.20
自引率
0.00%
发文量
23
期刊介绍: The Romanic Review is a journal devoted to the study of Romance literatures.Founded by Henry Alfred Todd in 1910, it is published by the Department of French and Romance Philology of Columbia University in cooperation with the Departments of Spanish and Italian. The journal is published four times a year (January, March, May, November) and balances special thematic issues and regular unsolicited issues. It covers all periods of French, Italian and Spanish-language literature, and welcomes a broad diversity of critical approaches.
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