《出埃及记》,电影——半个世纪后:历史、神话、记忆和史学的相互作用

IF 0.1 0 FILM, RADIO, TELEVISION
Aviva Halamish
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引用次数: 1

摘要

摘要:电影《出埃及记》(1960)讲述了一艘满载欧洲犹太难民的船驶向英国统治下的巴勒斯坦的传奇故事,以及犹太复国主义者与英国的斗争,直到1948年阿拉伯人和犹太人之间的战争开始。电影的内容、上映的时间和广泛的发行,在电影和1945-1948年间发生的事件之间创造了复杂的关系;那些年的史学;个人和集体的记忆;在某种程度上,以色列的历史也是如此。本文提出并解释了这些多向关系,认为由于电影的受欢迎程度和它描绘历史事件的方式,《出埃及记》在许多方面改变了历史。影片的情节成分和顺序偏离了“真实发生的事情”;这部电影本身就是20世纪60年代早期以色列历史上的一个事件;由于《出埃及记》在以色列历史轴心上的位置以及建国前时期史学的发展,《出埃及记》对历史的呈现产生了巨大的影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Exodus, the Movie—Half a Century Later: The Interplay of History, Myth, Memory, and Historiography
ABSTRACT:The movie Exodus (1960) is the saga of a ship laden with Jewish European refugees sailing to British-ruled Palestine, and the story of the Zionist struggle against the British up to the beginning of the 1948 war between the Arabs and the Jews. The content of the movie, the timing of its release, and its vast distribution created complex relations among the movie and the events that took place in the years 1945–1948; the historiography of those years; the private and collective memory; and, to some extent, Israel's history. This article presents and interprets these multidirectional relations, arguing that, because of the movie's popularity and the way it portrayed historical events, Exodus changed history in a number of ways. The film's plot ingredients and their sequence diverge from "what really happened"; the movie itself was an event in the history of early 1960s Israel; and as a result of its location on the axes of Israeli history and the evolution of the historiography of the pre-state period, Exodus had an enormous influence on the presentation of history.
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来源期刊
CiteScore
0.50
自引率
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期刊介绍: Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.
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