鸟类学:鸟类隐喻如何帮助更好地理解艺术研究

Aldis Gedutis, Vytautas Michelkevičius
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引用次数: 0

摘要

本文的目的是在科学和艺术的更广泛的背景下考察艺术研究的现象。为此,皮埃尔·布迪厄(Pierre Bourdieu)的方法论原则“将国内的异国情调化”被使用。这一原则能够改变和改变认识论的观点,即普通和日常的事物应该被研究,就好像它们是陌生的和奇怪的一样。在支持和反对艺术研究的理论论证中,引用了一个鸟类隐喻,使国内充分异国化。本文旨在通过对已有的鸟类隐喻的延续和拓展,突出艺术研究中不容易把握和区分的方面,借助艺术研究中通常的正反两种观点。要回答的主要问题是:当将艺术研究视为鸟类界的一种现象时,对艺术研究的看法是如何变化的?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Argumentum Ornithologicum: How Avian Metaphors Help Understand Artistic Research Better
The article aims to examine the phenomenon of artistic research in the broader context of sciences and arts. For that purpose, Pierre Bourdieu’s methodological principle ‘exoticize the domestic’ is used. This principle enables to change and alter the epistemic perspective suggesting that ordinary and everyday things should be investigated as if they were alien and strange. In place of theoretical arguments for and against artistic research, an avian metaphor is invoked, which enables to exoticize the domestic sufficiently. By continuing and expanding the existing avian metaphors, the article aims to highlight those aspects of artistic research that are not easy to grasp and distinguish with the help of the usual arguments pro and con artistic research. The main question to be answered: how does the perception of artistic research change when looking at it as a phenomenon of the ornithological world?
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