锡克教创始人古鲁·纳纳克肖像:殖民转型与社会角色

IF 0.2 0 ASIAN STUDIES
Atsushi Ikeda
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引用次数: 0

摘要

今天,代表古鲁纳纳克的单幅肖像在锡克教徒中非常流行,经常挂在房屋和寺庙的墙上。在19世纪70年代的辛格Sabha运动期间,古鲁纳纳克的肖像开始被城市中产阶级挂在锡克教寺庙和房屋的墙上。墙上挂着古鲁纳纳克的肖像,象征着锡克教的独特性,由于这些肖像都是用独特的四分之三脸和类似印度教的正面画的,古鲁纳纳克的肖像在属于不同派别的锡克教徒之间的社会凝聚力中发挥了关键作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Portraiture of Guru Nanak, the founder of Sikhism: colonial transformation and the social role
ABSTRACT Today, single portraits representing Guru Nanak are very popular among the Sikhs and are frequently hung on the walls of houses and temples. It is during the Singh Sabha Movement from the 1870s that portraits of Guru Nanak came to be hung on the walls of Sikhs' temple and house by the urban middle class. Wall-hung portraits of Guru Nanak symbolises the uniqueness of Sikhism and, since they were painted both in a unique three-quarter face and in a Hindu-like frontal, Guru Nanak portraiture has played a pivotal role in social cohesion among the Sikhs who belonged to different factions.
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CiteScore
0.80
自引率
25.00%
发文量
32
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