{"title":"Jana Karola Dachnowskiego Epos nuptiale oraz Hymen weselny","authors":"Sylwia Kawska","doi":"10.12775/SE.2018.0024","DOIUrl":null,"url":null,"abstract":"The article is a critical edition of two epithalamniums by Jan Karol Dachnowski, a Baroque minorum gentium poet, so far unpublished as a whole. Epos nuptiale was included in Talamodia , published in 1620, whereas Hymen weselny ( Wedding anthem ) could be found in Filantropia from 1631. Both texts show strong affiliations with the Antiquity. The former is based on Claudian’s Epithalamium dictum Palladio et Celerine , while the latter was inspired by Fragment 44 , attributed to Sappho. The edition includes a critical apparatus and explanations.","PeriodicalId":55807,"journal":{"name":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sztuka Edycji Studia Tekstologiczne i Edytorskie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12775/SE.2018.0024","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章是对扬·卡罗尔·达克诺夫斯基(Jan Karol Dachnowski)的两篇颂词的评论版，扬·卡罗尔·达克诺夫斯基是一位巴洛克时期的小众诗人，迄今尚未作为一个整体发表。Epos nuptiale收录在1620年出版的Talamodia中，而Hymen weselny(婚礼颂歌)可以在1631年的Filantropia中找到。这两个文本都显示了与古代的强烈联系。前者是根据克劳狄翁的《帕拉第奥和塞勒琳的上谕》改编的，而后者的灵感来自于被认为是萨福的《残篇》第44篇。这一版本包括一个重要的工具和解释。
Jana Karola Dachnowskiego Epos nuptiale oraz Hymen weselny
The article is a critical edition of two epithalamniums by Jan Karol Dachnowski, a Baroque minorum gentium poet, so far unpublished as a whole. Epos nuptiale was included in Talamodia , published in 1620, whereas Hymen weselny ( Wedding anthem ) could be found in Filantropia from 1631. Both texts show strong affiliations with the Antiquity. The former is based on Claudian’s Epithalamium dictum Palladio et Celerine , while the latter was inspired by Fragment 44 , attributed to Sappho. The edition includes a critical apparatus and explanations.
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