在Roger de La fresnaye的《失落的研究》中,艺术家的肖像和他的花篮图案

IF 0.2 3区 艺术学 0 ART
Anne Greeley
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引用次数: 0

摘要

画家Roger de La Fresnaye以其对立体派方法和技巧的保守处理而闻名。他的经典手法,他把自然的形式转化成一个和谐的平衡配置简化平面和弧线呈现纯,明亮的颜色,是典型的例子,在L 'homme assis (mus des beaux-arts,鲁昂),他在1914年离开前线之前制作的最后的画布之一,长期以来被认为是他最好的作品之一。本文讨论了艺术家对这幅作品的初步油画研究的新发现的证据
本文章由计算机程序翻译,如有差异,请以英文原文为准。
On Roger de La Fresnaye’s Lost Étude pour le portrait de l’artiste and Its Corbeille de fleurs Motif
The painter Roger de La Fresnaye is known for his conservative handling of cubist methods and techniques. His classicizing approach, by which he converted natural forms into a harmoniously balanced configuration of simplified planes and arcs rendered in pure, luminous color, is paradigmatically instantiated in L’homme assis (Musée des beaux-arts, Rouen)—one of the last canvases he produced before departing for the front in 1914, and a work that has long been regarded as one of his finest compositions. This article discusses newly discovered evidence concerning the artist’s preliminary oil study for this work, which
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CiteScore
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