近代日本“禅宗画”的创作及其历史定位──以南北派为中心──

{"title":"近代日本“禅宗画”的创作及其历史定位──以南北派为中心──","authors":"Eunjoo Huh, 취득 오차노미즈여자대학교대학원인간문화연구과박사학위","doi":"10.18841/2020.60.01","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":44211,"journal":{"name":"Journal of Japanese Studies","volume":"40 1","pages":"7-34"},"PeriodicalIF":0.2000,"publicationDate":"2020-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Creating of “Zen Painting” in Modern Japan and its historical positioning ─ Focusing on Northern Southern School Theory ─\",\"authors\":\"Eunjoo Huh, 취득 오차노미즈여자대학교대학원인간문화연구과박사학위\",\"doi\":\"10.18841/2020.60.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":44211,\"journal\":{\"name\":\"Journal of Japanese Studies\",\"volume\":\"40 1\",\"pages\":\"7-34\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-05-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Japanese Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.18841/2020.60.01\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Japanese Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.18841/2020.60.01","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"AREA STUDIES","Score":null,"Total":0}