{"title":"不可能的一对:柏林德·德·布鲁基尔和J.M.库切","authors":"Robert Kusek, W. Szymański","doi":"10.1515/werk-2015-0002","DOIUrl":null,"url":null,"abstract":"Abstract Despite J.M. Coetzee’s ostensible interest in the issues of - largely speaking - visuality, the links between Coetzee’s oeuvre and ‘images’ have not been sufficiently explored either by art or literary critics. The paper offers a detailed discussion of the cooperation between Coetzee and the Belgian artist Berlinde De Bruyckere which has so far resulted in one installation and two art books co-authored by Coetzee and De Bruyckere. Special attention will be paid to the piece “Cripplewood/Kreupelhout” shown in the Belgian Pavilion of the 2013 Venice Biennial and the catalogue published in its wake. Also, a number of questions related to the nature of Coetzee’s contribution to both projects, the role of a curator and his relationship with the artist, as well as the catalogue’s generic affiliation and its position in Coetzee’s body of works are thoroughly addressed.","PeriodicalId":55904,"journal":{"name":"Werkwinkel-Journal of Low Countries and South African Studies","volume":"545 1","pages":"13 - 32"},"PeriodicalIF":0.0000,"publicationDate":"2015-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"An Unlikely Pair: Berlinde De Bruyckere and J.M. Coetzee\",\"authors\":\"Robert Kusek, W. Szymański\",\"doi\":\"10.1515/werk-2015-0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Despite J.M. Coetzee’s ostensible interest in the issues of - largely speaking - visuality, the links between Coetzee’s oeuvre and ‘images’ have not been sufficiently explored either by art or literary critics. The paper offers a detailed discussion of the cooperation between Coetzee and the Belgian artist Berlinde De Bruyckere which has so far resulted in one installation and two art books co-authored by Coetzee and De Bruyckere. Special attention will be paid to the piece “Cripplewood/Kreupelhout” shown in the Belgian Pavilion of the 2013 Venice Biennial and the catalogue published in its wake. Also, a number of questions related to the nature of Coetzee’s contribution to both projects, the role of a curator and his relationship with the artist, as well as the catalogue’s generic affiliation and its position in Coetzee’s body of works are thoroughly addressed.\",\"PeriodicalId\":55904,\"journal\":{\"name\":\"Werkwinkel-Journal of Low Countries and South African Studies\",\"volume\":\"545 1\",\"pages\":\"13 - 32\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Werkwinkel-Journal of Low Countries and South African Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/werk-2015-0002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Werkwinkel-Journal of Low Countries and South African Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/werk-2015-0002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
尽管J.M.库切表面上对视觉性问题很感兴趣,但无论是艺术评论家还是文学评论家,都没有充分探讨库切作品与“图像”之间的联系。本文详细讨论了库切与比利时艺术家Berlinde De Bruyckere的合作,迄今为止,库切和De Bruyckere共同创作了一件装置和两本艺术书籍。我们将特别关注2013年威尼斯双年展比利时馆展出的“Cripplewood/Kreupelhout”作品,以及随后出版的作品目录。此外,一些与库切对这两个项目的贡献有关的问题,策展人的角色及其与艺术家的关系,以及目录的一般归属及其在库切作品中的地位都得到了彻底的解决。
An Unlikely Pair: Berlinde De Bruyckere and J.M. Coetzee
Abstract Despite J.M. Coetzee’s ostensible interest in the issues of - largely speaking - visuality, the links between Coetzee’s oeuvre and ‘images’ have not been sufficiently explored either by art or literary critics. The paper offers a detailed discussion of the cooperation between Coetzee and the Belgian artist Berlinde De Bruyckere which has so far resulted in one installation and two art books co-authored by Coetzee and De Bruyckere. Special attention will be paid to the piece “Cripplewood/Kreupelhout” shown in the Belgian Pavilion of the 2013 Venice Biennial and the catalogue published in its wake. Also, a number of questions related to the nature of Coetzee’s contribution to both projects, the role of a curator and his relationship with the artist, as well as the catalogue’s generic affiliation and its position in Coetzee’s body of works are thoroughly addressed.