不可能的一对:柏林德·德·布鲁基尔和J.M.库切

Robert Kusek, W. Szymański
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引用次数: 0

摘要

尽管J.M.库切表面上对视觉性问题很感兴趣,但无论是艺术评论家还是文学评论家,都没有充分探讨库切作品与“图像”之间的联系。本文详细讨论了库切与比利时艺术家Berlinde De Bruyckere的合作,迄今为止,库切和De Bruyckere共同创作了一件装置和两本艺术书籍。我们将特别关注2013年威尼斯双年展比利时馆展出的“Cripplewood/Kreupelhout”作品,以及随后出版的作品目录。此外,一些与库切对这两个项目的贡献有关的问题,策展人的角色及其与艺术家的关系,以及目录的一般归属及其在库切作品中的地位都得到了彻底的解决。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
An Unlikely Pair: Berlinde De Bruyckere and J.M. Coetzee
Abstract Despite J.M. Coetzee’s ostensible interest in the issues of - largely speaking - visuality, the links between Coetzee’s oeuvre and ‘images’ have not been sufficiently explored either by art or literary critics. The paper offers a detailed discussion of the cooperation between Coetzee and the Belgian artist Berlinde De Bruyckere which has so far resulted in one installation and two art books co-authored by Coetzee and De Bruyckere. Special attention will be paid to the piece “Cripplewood/Kreupelhout” shown in the Belgian Pavilion of the 2013 Venice Biennial and the catalogue published in its wake. Also, a number of questions related to the nature of Coetzee’s contribution to both projects, the role of a curator and his relationship with the artist, as well as the catalogue’s generic affiliation and its position in Coetzee’s body of works are thoroughly addressed.
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